Vol. 1 No. 50 (2024): Justiça Epistêmica em Artes Cênicas

View Vol. 1 No. 50 (2024): Justiça Epistêmica em Artes Cênicas

DOI: https://doi.org/10.5965/10.5965/1414573101502024

Published: 2024-04-28

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Corpo Editorial

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Editorial

Editorial

Corpo Editorial

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Editorial de Dossiês Temáticos

Editorial: Epistemic Justice in Performing Arts

Dodi Tavares Borges Leal

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Dossiê Temático: Justiça Epistêmica em Artes Cênicas

Counting bodies: Between the Archive and Regina José Galindo’s performance

Aila Regina da Silva

1-19
Staged memories: the historical proficiency of the Cast of 'Flor do Deserto' about Caldeirão

Antônio Alison Vasconcelos Marques, Maria de Lourdes Macena de Souza

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Deconstructing discursive closets: criticism and lesbian visibility in As Moças by Isabel Câmara

Camile Cecília dos Anjos

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Pajubá: Aesthetic Justice and Intangible Heritage

Dodi Tavares Borges Leal

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Yakámokeno (listen!): contributions of the Terena indigenous cosmovision to dance and education

Gabriela Di Donato Salvador Santinho

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Trans performativities in the circus: confabulating about aesthetics, politics and dissident epistemologies

Juno Nedel Mendes de Aguiar

1-19
Maybe the wolf is a more docile animal: caravan theater and combating violence against women

Leda Gimbo, Monique Cardoso

1-18
Perspectives for thinking about social and epistemic justice for and with childhoods in dissent

Mateus Fazzioni, Diego de Medeiros Pereira

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The inside, the outside and the gap in between: Libertarian epistemologies and abolitionist scenic practices

Murilo Moraes Gaulês, Maria Galindo Neder, Lia Garcia, Sayak Valencia

1-23
Transphobia as trauma and curatorial criterion of cisnormativity

Oliver Olívia Lagua de Oliveira Bellas Fernandes

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Scene workes: the participation of women in the theatrical cenotechnical craft

Priscila de Souza Chagas do Nascimento

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The paradoxes of a countercolonial theatrical pedagogy

Raimundo Kleberson de Oliveira Benicio

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Continuous flow

Sábato Magaldi collection, far beyond memory

Elen de Medeiros, Ana Clara P. C. Marques

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The Ponto de Partida Group: theatre and music unite communities in a restored silk factory in Barbacena

Evelyn Furquim Werneck Lima, Cláudio Guilarduci

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The Ponto de Partida Group: Theatre and Music unite Communities in a Restored Silk Factory in Barbacena

Evelyn Furquim Werneck Lima, Claudio Guilarduci

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Technique, experience and invention in ballroom dancing

Giancarlo Martins, Fernanda Goya Setúbal

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Medeia Negra (2018): black female body that sings and screams

José Ramón Castillo, Cleiser Schenatto Langaro

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Spaces of female subordination in the Brazilian adaptation The Tempest by William Shakespeare

Laura Ribeiro Araújo

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Yes, women play mamulengo: narratives of women players

Luanna Ferreira da Silva, Fabíola Resende, Rodrigo Matos-de-Souza

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Perspectives on accessibility in performance based on the analysis of Birita Procura-se"

Sidnei Mauro de Melo Junior, Marcia Berselli, Vinicius Rodrigues de Souza

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Escrevivências of a black body between places in the postmodern theater play “Bagagem de Desjeitos”

Thiago Francysco Rodrigues Cassiano, Gustavo Henrique Lima Ferreira

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Resenhas

Living ruins of the Teatro de Arte Israelita Brasileiro (Brazilian Israelite Art Theatre) in the book TAIB: A history of theatre

Paulo Toledo

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Erosions on the face of the language

Manoel Moacir Rocha Farias Junior

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Translations

From catharsis to the cathartic: toward a post-dramatic theory of representation

Jean-Michel Vives, Renata Mattos-Avril; Rafael Percino

Interviews

Fuck Catharsis and the perspective of confusion

Luísa Dalgalarrondo, Carolina Bianchi RIbeiro

1-19
“You are never a body alone”

Marina Magalhães, Sofia Neuparth

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Ensaio Fotografico de Espetáculos

“Ïⁿ¢∅Mød∅„

Zilá Muniz

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