Vol. 2 No. 38 (2020): Espaços: Configurações na cena brasileira e latino-americana

DOI: https://doi.org/10.5965/1414573102382020

Published: 2020-09-24

Office hour

• Expediente

  Corpo Editorial

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Homenagens

• Artista, ator diretor e professor Luiz Roberto de Souza (Luiz Pazzini)

  Corpo Editorial

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Dossiê Temático - Espaços: configurações na cena brasileira e latino-americana

• Space(s): configurations in Brazilian and Latin-American scenic practices

  Fátima Costa de Lima, Stephan Arnulf

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• The rewriting of historical spaces through the theatrical process of Negro Cosme em Movimento, by Cena Aberta Group

  Fernanda Areias Oliveira, João Victor Silva Pereira

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• Transvestite spatiality: gender habitat and topographic practices of trans bodies in the Brazilian performing arts

  Dodi Tavares Borges Leal

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• BodyCity: The Body of the visually impaired person in the City and its implications as Blind Flâneur

  Carlos Alberto Ferreira da Silva

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• Capoeira and scenography: possible dialogues through space

  Cristiano Cezarino Rodrigues

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• Trilogy of the body in space: influences of climbing practice on scenic creation in dance

  Cláudia Regina Garcia Millás

  1-30

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• Hélio Oiticica's auto-teatro: provocations of an environmental art

  Everton Lampe de Araujo

  1-18

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• Restless spatialities: SobreVivo, trajectories of a blackened creation

  Patricia Fagundes, Sandino Rafael Rosa

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• Streets, churches and squares: The spaces of andean theatrical manifestations

  Rodrigo Benza Guerra

  1-26

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• The Invention of Subversive Territorialities according to the Feminist Performances of Tania Bruguera, Martha Araújo and the collective Polvo de Gallina Negra

  Amanda Marques, Christine Greiner

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• The street as a performing stage and as a vocation: some reflections on street theatre in Buenos Aires

  Francesca Rindone

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• From Music Drama to Immersion: Notes on contemporary and Latin American “total art”

  Patricia Teles Sobreira de Souza

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• The uncanny of controlled tourism: Rimini Protokoll’s audio tour Remote Buenos Aires

  Giorgio Zimann Gislon, Michele Louise Schiocchet

  1-28

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• Looking at what we cannot see. Essay on poetics of the distance in the scenic practices of Lia Rodrigues and Antônio Araújo

  Maria Clara Ferrer

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• The Bumba-meu-Boi of Parnaiba (PI) in different spaces: the street, the arena and the June lives

  Weslley Fontenele

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• A visão encarnada do espectador: Formas de perceber, habitar e criar paisagens The embodied view of the spectator: Ways to perceive, inhabit and create landscapes

  Laila Renardini Padovan

  1-33

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• The Axis Mundi and the Ritual Play: Displacement of immanent reality to achieve Hyerophani

  Saulo Vinícius Almeida, Robson Carlos Haderchpek

  1-25

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• Agamenon or - How much is a man’s life worth?

  Juliano Casimiro de Camargo Sampaio

  1-27

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• An emergency space: Herdeiras de Antígona as social and political magnetization

  Lígia Souza Oliveira, Francis Wilker

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• The design of scenography that creates different connections between theatrical building and city

  Regilan Deusamar Barbosa Pereira

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• Cities in precipice: on sensitive frontiers on and offline

  Altemar Gomes Monteiro, Mônica Medeiros Ribeiro

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• Spatiality and the stage: reflections from the project Na Selva das Cidades – Em Obras #ocupasp

  Sara Fagundes Oliveira

  1-24

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• From Industrial Warehouses to Public Spaces in the City: some Spatial Configuration Practices in the Arts of the Brazilian Scene

  Evelyn Furquim Werneck Lima

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• The city as an inhospitable space: territory of the invasion theatre

  André Carreira

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• Considerations on the site-specific concept in Brazilian Theatre

  José Jackson Silva, Walter Lima Torres Neto

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Reports

• La Partitura como Máscara: an experience in spatial masking at the Universidad de Costa Rica

  Ipojucan Pereira Silva

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• Storytellers - an account of the creation of spaces from the encounters with the Tikuna in the Parque das Tribos

  Vanessa Benites Bordin

  1-31

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Continuous flow

• My backyard is the world: Space, Body, Affection and Dramaturgy in All About That Bass

  Aroldo Santos Fernandes Júnior

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• A “Dramaturgical Transplant”: a commented translation of Machiavelli’s La Mandragola

  Daniel Fonnesu, Alessandra Paola Caramori

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• Theater in silence: what happened to Jubileu de Amores by Gil Vicente (c.1465- c.1536)?

  Denise Rocha

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• Art as power of self, the lecture-performance and the epistemologist-actor

  Djalma Thürler, Duda Woyda, Mariana Moreno

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• Dance in writing: communication in writings about dance

  Henrique Rochelle

  1-23

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• Performing academic writing... F(r)ictional writing: purity and danger

  Luciana de Fátima Rocha Pereira Lyra

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• The theater of the Brazilian Northeast before and after the triumphal descent to Rio de Janeiro

  Magela Lima

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• If everything went quiet could we hear the river?: An urban intervention about the city's memories

  Mariana Zabot Pasqualotto, Andréa Vieira Zanella, Tânia Galli Fonseca

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• Theater of intensities and teaching work of Ricardo Bartís: acting and conventions

  Nicholas Rauschenberg

  1-28

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• Poetic Doors: Space for the Poetics of Unpredictability on Stage

  Nitza Tenenblat

  1-30

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• The creative process as a matrixial borderspace

  Odailso Sinvaldo Berte

  1-32

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• Latin American theatrical work: dissonant pedagogies un two historical times

  Rafael Litvin Villas Bôas, Douglas Estevam

  1-24

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• Creation procedures in The Parthenon Metopes, by Romeo Castelluci

  Renan Marcondes

  1-34

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• The presence of laugh in Capoeira Angola

  Renata de Lima Silva, José Luiz Cirqueira Falcão, Elderson Melo Miranda

  1-23

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• The Application Schools in the brazilian educational system: context of creation and reverberations in the teaching of Theater

  William Fernandes Molina, Vera Lúcia Bertoni dos Santos

  1-26

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Translations

• there are no innocent spaces

  Claudia Bosse; Stephan Arnulf Baumgärtel, Talita Corrêa

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• The performatization of space. Comments on the historicity of knowledge and technology in the construction of contemporary performance spaces

  Martina Leeker; Stephan Arnulf Baumgärtel, Talita Corrêa

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• The Same. Only Different: Theatre and Ghosting

  Marvin Carlson; Evelyn Furquim Werneck Lima

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• Spatial-temporal figure-ground relations. Finite spaces in contemporary theatre and performance

  Nikolaus Müller-Schöll; Stephan Arnulf Baumgärtel, Talita Corrêa

  1-27

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Interviews

• Documentary Theater and the northeast: documents in the creation process

  Cleilson Queiroz Lopes

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• Clowns acting in hospital stages

  Daiani Cezimbra Severo Rossini Brum

  1-20

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• Around the performative

  Edelcio Mostaço

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• My relationship with technology is not a solemn relationship: interview with Matías Umpierrez

  Mariana Lima Muniz

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Essay of Photographic of Shows

• Até a Próxima Esquina Montagem Teatral de 2019

  Zilá Muniz, Fátima Costa de Lima

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