Vol. 5 No. 3 (2021): Edição Especial - 1o Encontro de Gt's do Colóquio de Moda

					View Vol. 5 No. 3 (2021): Edição Especial - 1o Encontro de Gt's do Colóquio de Moda

Special Edition, with two volumes, bringing together articles from the 1st Meeting of the Fashion Colloquium GT's, which took place in 2020 in online format. Submission of proposals was free and all articles were adapted to the journal's standards and submitted for evaluation and approval by the advisory committee.

Organization: Mara Rúbia Sant'Anna and Cyntia Tavares

Supporting Editors: Thiago Strozak and Ivis Aguiar

Cover: Alice Sukiennik
Publisher: Thiago Strozak

Published: 2021-10-01

Editorial

  • Editorial Surviving is the best way to resist

    06 - 09
    DOI: https://doi.org/10.5965/25944630532021006

Special Edition

  • When fashion is not just fashion: the place of fashion in Simmel’s sociology

    Carlos Alberto Barbosa
    10 - 23
    DOI: https://doi.org/10.5965/25944630532021010
  • Clothing, memory and (de)identity construction

    Laiana Silveira
    24 - 35
    DOI: https://doi.org/10.5965/25944630532021024
  • The Culture of Luxury at the service of humanity

    Renata Pitombo
    36 - 51
    DOI: https://doi.org/10.5965/25944630532021036
  • Reflections on craft and division of labor in garment production

    Manuela Beatriz Pedrosa Correia, Virginia Pereira Cavalcanti
    52 - 65
    DOI: https://doi.org/10.5965/25944630532021052
  • Between text and image - nomenclatures and representations as historical and cultural windows

    Soraya Aparecida Álvares Coppola, Maryelle Joelma Cordeiro
    66 - 86
    DOI: https://doi.org/10.5965/25944630532021066
  • Biographic notes from a collection of indumentary

    Madson Luis Gomes de Oliveira
    87 - 106
    DOI: https://doi.org/10.5965/25944630532021087
  • À l’Orient: fantasy and oriental idealization in Paris in the 1780’s

    Felipe Goebel
    107 - 127
    DOI: https://doi.org/10.5965/25944630532021107
  • Fashion and social distinction signs in the life of a uruguayan artist

    Cristiane Garcia Teixeira, Maria de Fátima Fontes Piazza
    128 - 149
    DOI: https://doi.org/10.5965/25944630532021128
  • Baby boomer generation and the consumption of denim pieces

    Onnara Custódio Gomes, Marizilda dos Santos Menezes
    150 - 169
    DOI: https://doi.org/10.5965/25944630532021150
  • The posters of Cândido de Faria: biographical notes an “artist from the periphery”

    Amaro Xavier Braga Junior, Germana Gonçalves de Araújo
    170 - 184
    DOI: https://doi.org/10.5965/25944630532021170
  • Creation and teaching practice at the carnival of Samuel Abrantes atelier

    André Dias, Danielle Joia
    185 - 198
    DOI: https://doi.org/10.5965/25944630532021185
  • The Drag Queen’s journey based on Campbell’s Hero mythology

    Arthur de Oliveira Filho, Ana Paula Celso de Miranda, Hans da Nóbrega Waechter
    199 - 217
    DOI: https://doi.org/10.5965/25944630532021199
  • Immoral costumes

    Heloísa Helena Pacheco de Sousa
    218 - 230
    DOI: https://doi.org/10.5965/25944630532021218
  • Memorial traces as a way to add value to the fashion produced in threefhouses: a study of the Bendita Traça retail store

    Moisés Waismann, Priscila Kieling Pontin
    231 - 245
    DOI: https://doi.org/10.5965/25944630532021231
  • Experience and value perceived by the fashion brand followers in the Instagram

    Paula Elisa Hubner Duarte Lima
    246 - 266
    DOI: https://doi.org/10.5965/25944630532021246
  • Black dancers: ballet colors and the transformations in clothing

    Cheyenne Frajuca, Marizilda dos Santos Menezes
    267-278
    DOI: https://doi.org/10.5965/25944630532021267
  • African and africanized tissues in candomblés of São Paulo

    Aymê Okasaki
    279-300
    DOI: https://doi.org/10.5965/25944630532021279
  • Fashion houses in Rio de Janeiro from the first half of the XIX: property rights and gender

    Laura Junqueira de Mello Reis
    301-319
    DOI: https://doi.org/10.5965/25944630532021301
  • Methodological proposition for analysis of indumentaries as documentary sources

    Thais Dyck dos Santos Lima, Ronaldo de Oliveira Corrêa
    320-330
    DOI: https://doi.org/10.5965/25944630532021320
  • Fashion exhibitions in art spaces: particularities of the brazilian and carioca context

    Hellen Alves Cabral
    331-347
    DOI: https://doi.org/10.5965/25944630532021331
  • Links between algorithms and textiles: experiments in fashion design

    Marianna Ribeiro Pires, Sandra Portella Montardo, Claudia Schemes
    348-362
    DOI: https://doi.org/10.5965/25944630532021348
  • Lifehacking and Biohacking trends driven by the pandemic of covid-19 and fashion

    Taisa Vieira Sena
    363-376
    DOI: https://doi.org/10.5965/25944630532021363