Vol. 7 No. 2 (2022): Special Issue on Music Performance Practices - Means, Modes and Prospections

Editores do Dossiê: Maria Bernardete Castelan Póvoas (UDESC), Luís Claudio Barros (UDESC), Ana Claudia Assis (UFMG), Tania Lisboa (Royal College of Music-UK), Guilherme Sauerbronn de Barros (UDESC).

Editores: Guilherme Sauerbronn de Barros (UDESC), Teresa Mateiro (UDESC).

Published: 2022-12-14

Credits

Expediente

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Editorials

Editorial

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Presentation

Apresentação

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Special Issue

Music performance: another debate regarding the interpreter and academia

Daniel Lemos Cerqueira

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Artistic research in Brazil: maps, paths and trajectories

Bibiana Bragagnolo, Leonardo Pellegrim Sanchez

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Musicking performances as performances of existence

Marta Brietzke, Mário Oliveira, Fabio Presgrave

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Emerging knowledge in pandemic times: the case of the brazilian collective of trombonists

Klênio Jonessy de Medeiros Barros, Samuel de Freitas Barros Neto, Antonio Henrique Seixas Oliveira

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Vibrato on the cello: a systematic study applied to performance

Henrique Lucena, William Teixeira

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Adolescents’ motivation in musical learning from the viewpoint of the instrument teacher

Gabriela Silva Safraider, Rosane Cardoso de Araújo

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Extended techniques and cultural aspects presente in Puneña n° 2, op. 45 for solo cello by Alberto Ginastera

María Verónica Fernández, Juan Ignacio Ferreras, Fabio Presgrave

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Lowell Liebermann’s Sonata for flute and piano: performance and musical analysis in dialogue with the composer

Lucas Martins Pedro , Adriana Lopes Moreira

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Functions and historical perspectives of guitar transcriptions and arrangements in Brazil: the case of Melchior Cortez (1882-1947)

Humberto Amorim Neto, Paulo Martelli

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Articles

Colonization, religion and sacred music in the North of Santa Catarina (1891-1923)

Matheus Theodorovitz Prust

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José Maurício Nunes Garcia and the Eurocentrism: Black Beethoven ́s historical revisionism

Pedro Razzante Vaccari

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Composition by the concatenation of independent fragments

Liduino José Pitombeira de Oliveira

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Reviews and Interviews

Review: Piano.Pearls: who plays has arrived!

Helena Uzun, Vania Malagutti

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Translations

Formal theory of generalized tonal functions

Felipe Defensor

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Vol. 7 No. 2 (2022): Special Issue on Music Performance Practices - Means, Modes and Prospections

Credits

Expediente

Editorials

Editorial

Presentation

Apresentação

Special Issue

Music performance: another debate regarding the interpreter and academia

Artistic research in Brazil: maps, paths and trajectories

Musicking performances as performances of existence

Emerging knowledge in pandemic times: the case of the brazilian collective of trombonists

Vibrato on the cello: a systematic study applied to performance

Adolescents’ motivation in musical learning from the viewpoint of the instrument teacher

Extended techniques and cultural aspects presente in Puneña n° 2, op. 45 for solo cello by Alberto Ginastera

Lowell Liebermann’s Sonata for flute and piano: performance and musical analysis in dialogue with the composer

Functions and historical perspectives of guitar transcriptions and arrangements in Brazil: the case of Melchior Cortez (1882-1947)

Articles

Colonization, religion and sacred music in the North of Santa Catarina (1891-1923)

José Maurício Nunes Garcia and the Eurocentrism: Black Beethoven ́s historical revisionism

Composition by the concatenation of independent fragments

Reviews and Interviews

Review: Piano.Pearls: who plays has arrived!

Translations

Formal theory of generalized tonal functions

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