Public engagement and spatial agency in the scenography of Baile

Authors

DOI:

https://doi.org/10.5965/1414573103482023e0202

Keywords:

scenography, engagement, participation

Abstract

Based on the analysis of the processes of conception, production and realization of the scenario of the play Baile, a graduation production for the students of the Teatro Universitário da UFMG, directed by Thálita Motta, this article intends to discuss how the scenography and the forms of space appropriation collaborate with the different ways of promoting the engagement of the reception in the artistic work, increasing the possibilities of relationship between the scene and the public. As a theoretical contribution, the contemporary discussion on Immersive Theater is mobilized, a way of proposing contemporary theater based on the production of experiences, as well as some previous staging proposals guided by the investigation of spatialities as relevant devices for visuality from the scene.

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Author Biography

Cristiano Cezarino Rodrigues, Federal University of Minas Gerais

Doutorado em Arquitetura pela Universidade Federal de Minas Gerais (UFMG). Mestrado em Arquitetura pela UFMG. Aperfeiçoamento em Engenharia Ambiental Aplicado pelo Instituto de Educação Tecnológica (IETEC). Graduação em Arquitetura e Urbanismo pela UFMG. Professor Adjunto do Departamento de Projetos da Escola de Arquitetura da UFMG. 

References

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Published

2023-09-19

How to Cite

RODRIGUES, Cristiano Cezarino. Public engagement and spatial agency in the scenography of Baile. Urdimento: Revista de Estudos em Artes Cênicas, Florianópolis, v. 3, n. 48, p. 1–22, 2023. DOI: 10.5965/1414573103482023e0202. Disponível em: https://periodicos.udesc.br/index.php/urdimento/article/view/23874. Acesso em: 21 nov. 2024.

Issue

Vol. 3 No. 48 (2023): As práticas da dramaturgia da dança em contexto

Section

Continuous flow

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