Theatre and telepresence technologies: inventions, mutations and dynamics

Authors

DOI:

https://doi.org/10.5965/1414573103422021e0117

Keywords:

Digital Performance, Virtual Theatre, Reception

Abstract

The present research addresses the performative theatre creations developed in real time in the environment of the international computer network, questioning the dynamics established between scene and reception, actors/performers and spectators. Based on the recognition of the nature of the contracts between the spectator and the scene promoted by the first theatrical practices associated with teletechnologies, the study discusses the transformations brought by digital technology, highlighting the importance of the participants’ visibility markers among themselves and the possibilities of interaction of the audience with the scene as factors in the establishment of the feeling of collective experience in online creation in real time.

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Author Biography

Marta Isaacsson, Universidade Federal do Rio Grande do Sul (UFRGS)

Profa. Dra. Programa de Pós-Graduação em Artes Cênicas e do Departamento de Arte Dramática da Universidade Federal do Rio Grande do Sul. Bolsista Produtividade de Pesquisa 1B/CNPq. Representante da área de Artes Cênicas no Comitê de Artes do CNPq 2019-2022.

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Published

2021-12-13

How to Cite

ISAACSSON, Marta. Theatre and telepresence technologies: inventions, mutations and dynamics. Urdimento: Revista de Estudos em Artes Cênicas, Florianópolis, v. 3, n. 42, p. 1–22, 2021. DOI: 10.5965/1414573103422021e0117. Disponível em: https://periodicos.udesc.br/index.php/urdimento/article/view/20154. Acesso em: 21 nov. 2024.

Issue

Vol. 3 No. 42 (2021): Viewpoints e Método Suzuki em praticas artísticas e pedagógicas | Pedagogia das Artes Cênicas em tempos pandêmicos: Criações online e ensino emergencial remoto II

Section

Dossiê Temático: Pedagogia das Artes Cênicas em tempos pandêmicos

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