The Inflamed Argentina Of Vogue Paris

Authors

DOI:

https://doi.org/10.5965/1982615x12252019171

Keywords:

Vogue Paris, Argentina, the Other’s image

Abstract

The French edition of the Vogue published in February 2006, entirely devoted to Argentina, including the fashion editorial Tango des Passions, symbolically revealed the approximation of cultural transmission links between Europe and Argentina, based on a discursive construction based on the philia -one of the fundamental attitudes that govern the representation of the Other in intercultural dialogue. Carine Roitfeld, photographed by Mario Testino, was interpreted in the light of Daniel-Henri Pageaux's theory, which placed the appreciation of the "culture looked" at the center of a permanent tension whose mirror reflects an explicitly duplicated "I-narrator" as a double body [white] of European high fashion. Vogue Paris establishes an ambiguous and inflamed intercultural dialogue, whether through "bubbling temperament", "fashion theater", "Latin excess" or "stunning pain" attributed to the image of Argentina and its own image.

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Author Biography

Daniela Novelli, Santa Catarina State University

Doutora em Ciências Humanas pelo Programa Interdisciplinar em Ciências Humanas (PPGICH) da Universidade Federal de Santa Catarina (UFSC), área Estudos de Gênero, com a tese: A branquidade em Vogue [Paris e Brasil]: imagens da violência simbólica no século XXI (2014). Realizou estágio de doutoramento na École des Hautes Études en Sciences Sociales (EHESS - CAPES/COFECUB) e de pós-doutorado na Université de Paris-Sorbonne Paris IV, junto ao Centre de Recherches Interdisciplinaires sur les Mondes Ibériques Contemporains (CRIMIC). Mestre em História pela Universidade do Estado de Santa Catarina (UDESC), área História do Tempo Presente (2009), com estudos voltados para imagem/juvenilização contemporânea em periódicos de moda. Especialista em Moda: Criação e Produção pela UDESC (2002). Bacharel em Moda, com habilitação em Estilismo pela UDESC (2000). Atuou como professora da UNIVALI e atualmente é professora adjunta no curso Bacharelado em Moda da Universidade do Estado de Santa Catarina (UDESC). Pesquisadora colaboradora do Instituto de Estudos de Gênero (IEG) da Universidade Federal de Santa Catarina (UFSC). Membro de conselho editorial da revista DaPesquisa e parecerista ad-hoc da revista ModaPalavra E-periódico e da Revista Feminista (REF). Principais artigos completos publicados em periódicos: NOVELLI, D.
 Face à la blanchité: le corps [blanc] féminin convoqué par Vogue [Paris-Brasil] au XXIe siècle. SOCIÉTÉS (PARIS), v.137, p.41 - 48, 2017; NOVELLI, D.
 Transe des sens: le Brésil brûlant de Vogue Paris. IBERIC@L: REVUE D'ÉTUDES IBÉRIQUES ET IBÉRO-AMÉRICAINES, v.11, p.111 - 120, 2017; NOVELLI, D.
 A branquidade conservadora de Vogue Brasil no século XXI. Modapalavra e-periódico, v.8, p.37 - 49, 2015; NOVELLI, D.
 O corpo [branco] feminino no discurso de moda em Vogue. DOBRAS (BARUERI, SP). , v.8, p.56 - 62, 2015. Capítulo de livro publicado: NOVELLI, D. 
O periódico de moda como fonte e objeto da pesquisa histórica In: História e Cultura de Moda.1 ed.São Paulo: Estação das Letras e Cores Editora Ltda, 2011, p. 258-279.

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VOGUE PARIS. Paris: Les Publications Condé Nast S.A., n. 864, février 2006.

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Published

2019-07-01

How to Cite

NOVELLI, Daniela. The Inflamed Argentina Of Vogue Paris. ModaPalavra e-periódico, Florianópolis, v. 12, n. 25, p. 171–208, 2019. DOI: 10.5965/1982615x12252019171. Disponível em: https://periodicos.udesc.br/index.php/modapalavra/article/view/14255. Acesso em: 20 dec. 2024.

Issue

Vol. 12 No. 25 (2019): Dossiê Moda e Cinema Ibero-Latino-Americano

Section

Dossier

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Copyright (c) 2019 Daniela Novelli

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