Ancestrality as a Philosophical Principle of an Interwoven Scene: The Creative Process of the Performance "Sobretudo Amor"
DOI:
https://doi.org/10.5965/1414573104532024e127Keywords:
ancestrality, black performance, creative processesAbstract
The article discusses the notion of ancestry as a philosophical principle intrinsic to black Brazilian performance, without detaching itself from the dimension of a political and contemporary scene. The artist-researcher starts from the creative process of her solo Sobretudo Amor, in which the dimension of practical and philosophical experience with ancestrality guided the creative process and broadened its reading possibilities. Ancestry anchored in the dimensions of deterritorialization and reterritorialization are the artist's propositions and reflections populated in this research, which was developed as part of the Doctorate in Performing Arts at PPGAC-UFBA.
Downloads
References
ABIMBOLA, Wande. A concepção iorubá da personalidade humana. In: Colóquio internacional para a noção de pessoa na África Negra. Paris: Centre National de la Recherche Scientifique, 1981, edição n°54.
GILROY, Paul. O Atlântico Negro: modernidade e dupla consciência. Trad. Cid Knipel Moreira. São Paulo: Editora 34, 2012.
MARTINS, Leda Maria. Performances do Tempo Espiralar. São Paulo: Cobogó, 2022.
OLIVEIRA, Eduardo David de. A epistemologia da ancestralidade. Revista Entrelugares – Revista de Sociopoética e abordagens afins. Disponível: http://www.entrelugares.ufc.br/phocadownload/eduardo-resumo.pdf. Acesso em: 30 mar. 2020.
RAMOSE, Mogobe B. African Philosophy through Ubuntu. Harare: Mond Books, 1999, p. 49-66. Tradução para uso didático por Arnaldo Vasconcellos.
REIS, Rodrigo Ferreira dos. Ôrí e memória: o pensamento de Beatriz Nascimento. Sankofa - Revista de História da África e de Estudos da Diáspora Africana. Ano XIII, NºXXIII, abril/2020.
SANTANA, Mônica Pereira de. Mulheres negras: (auto)-(re)invenções devires e criação de novos discursos de si nos corpos de criadoras negras. Tese (Doutorado em Artes Cênicas) – Universidade Federal da Bahia, Salvador, 2021.
TAYLOR, Diana. El Archivo y El Repertorio: el cuerpo y la memoria cultural em las Américas. Santiago do Chile: Ediciones Universidad Alberto Hurtado (ebook Kindle), 2015.
Published
How to Cite
Issue
Section
License
Copyright (c) 2024 Urdimento: Revista de Estudos em Artes Cênicas
This work is licensed under a Creative Commons Attribution 4.0 International License.
Copyright Statement
The articles published by the magazine are free to use. The copyright is all assigned to the magazine. The articles whose authors are identified represent the expression from the point of view of their authors and not the official position of the journal Urdimento. The author (s) undertakes whenever publishing material relating to the article published in Revista Urdimento mention the said publication as follows: This article was originally published by Urdimento magazine in its volume (put the volume), number (put the number) in the year of (put the year) and can be accessed at:
http://www.revistas.udesc.br/index.php/urdimento
This work is licensed under a Creative Commons Attribution 4.0 International License.
