Representaciones Pscico-Físicas del Sari entre mujeres indias en 2022

Autores/as

DOI:

https://doi.org/10.5965/25944630732023e2404

Palabras clave:

Sari/saree, Drapeado, Indiano, Hindú, Feminidad, Tradición, Calidad

Resumen

La historia de la prenda india tradicional sin cortes, el sari, se remonta a una prenda similar al sari que se remonta a la civilización del valle del Indo, que surgió durante el 2800-1800 a. C. en el noroeste de la India. La mención del sari evolucionó a partir de śāṭikā en sánscrito, en la literatura budista hindú y páli durante el siglo VI a. C., como prenda femenina. El estudio se basó en una muestra aleatoria de 50 mujeres, la mayoría de ellas trabajadoras, para mapear la opinión inmediata sobre el uso de un sari y también para explorar las diferentes razones que influyen en la intención de compra o la frecuencia de uso entre las mujeres indias. El estudio concluyó que entre el grupo de edad de menos de 25 años a 75 años, la mayoría de las mujeres encuentran placer en usar el sari de varias maneras. La pureza y la calidad de la tela son los aspectos más importantes, mientras que algunas mujeres se preocuparon por el movimiento/caminar y el uso repetido. Es importante resaltar que la muestra de este estudio valoró el uso del sari y no presentó problemas significativos en cuanto a la forma de llevarlo frente a los espectadores. Si bien el 6 % de las mujeres no pudo usar un sari, el 96 % dijo que lo extrañaría si se lo perdieran.

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Biografía del autor/a

Salla Vijay Kumar, Institute of Hotel Management Ahmedabad

Ph.D. Scholar, Kadi Sarva Vishwavidyalaya, Gandhinagar. Master of Philosophy in Tourism Management/MKU (2009). Master in Tourism Management /MKU (2007). Degree in Bachelor of Science – Hospitality & Hotel Administration/IGNOU (2007), Diploma in Hotel Management/NCHMCT (1996). Senior Lecturer cum Senior Instructor) in Bachelor of Science – Hospitality & Hotel Administration/IHMA (2002 onwards. National Awardee – Best Teacher-Hospitality Education/MoT, GOI (2008-09). Aspiring Researcher Awardee/IHC (2017). Award of Excellence in the field of Tourism & Hospitality/IHC (2018). Lectures telecasted live on Food Production/IGNOU-Edusat (2011). Author of Academic, Hospitality, and Non –Hospitality Articles/ VARIOUS (2012-2021). Research Scholar publications of various papers/PAN INDIA (2015-21). Core Research Member of consulting hospitality projects (2020). Life Member/ ICSL (2019), RCS (2012), ASCI (2010). CV profile: https://www.linkedin.com/in/salla-vijay-kumar-34129a37/. E-mail: sallavijaykumar75@gmail.com. ORCID: https://orcid.org/0000-0001-9124-3101.

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REFERÊNCIA DE IMAGENS

Fontes Figura 1.

Dhotis in Delhi; Wen-Yan King; c. 2007; Flickr A Bathing Scene at Benares; c. 19th century; Wellcome Collection

Fontes Figura 2

Skirt; Samod, Rajasthan, India; c. 1950; Cotton, Silk; 6301 cm x 37 cm; Museum of Art & Photography (MAP), Bangalore

Fontes Figura 3

Pehli Jhalak; Aristo Cine Service, Bombay, Maharashtra, India; c. 1955; Silver gelatin print- black and white; 20 x 25.3 cm; Museum of Art & Photography (MAP), Bangalore

A Bejewelled Maiden with a Parakeet; Deccan, Golconda, India; c. 1670–1700; Opaque watercolour and gold on paper; 22.2 x 31.8 cm; The Metropolitan Museum of Art

Fontes Figura 4

Bodice or Choli; Kachchh, Gujarat, India or Sindh, Pakistan; c. 1800s; Silk on silk satin with mirror-glass inserts, embroidery; 33 x 91.4 cm; Cleveland Museum of Art

Forsaken– Woman Wearing a Light Blue Choli; António Xavier Trindade, Bombay School; c. 1932; Oil on canvas; 109 x 92 cm; Fundação Oriente, Google Arts and Culture

Publicado

2023-09-06

Cómo citar

KUMAR, Salla Vijay. Representaciones Pscico-Físicas del Sari entre mujeres indias en 2022. Revista de Ensino em Artes, Moda e Design, Florianópolis, v. 7, n. 3, p. 1–26, 2023. DOI: 10.5965/25944630732023e2404. Disponível em: https://periodicos.udesc.br/index.php/ensinarmode/article/view/22404. Acesso em: 21 nov. 2024.