Sonework

Authors

DOI:

https://doi.org/10.5965/25944630812024e4876

Keywords:

Lapidarium, studio, artistic process

Abstract

What I will present, in this visual essay, are images of my house/studio in Goiânia, which I also started calling Lapidarium. With them, I intend to generate material visuality of my relationship with the studio, of what I bring to it, of what I select to produce works of art, of the tools I use to do so and of the space I occupy. Therefore, the focus here is not a specific work but the everyday conjectures of my artistic production and the space/time necessary for the works to happen. I bring visual excerpts of the preparation, apparatus and daily organization of my artistic work.

Using a text by author Luiz Alberto Warat (2004), which says something similar to what I have always done in my studio, I will continue this essay with reflections on what he says and images from my studio.

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Author Biography

Hortência Moreira, Federal University of Goiás

Artista visual: desde 2002 pesquisa visualidades a partir de referências adquiridas da formação em Arquitetura e Urbanismo (PUC-GO-1998), Especialização em Arte Contemporânea (UFG 2002) e cursos livres como: Intervenções Urbanas (Instituto Tomie Otake SP-2013) e Arte Sonora (Ateliê 2e1-SP-2013).

References

WARAT, Luis Alberto. Leterasofia Warat: textos ilusoriamente completos para o Lapidarium de meu museu discursivo. In: _ MEZZAROBA, Orides, et.al. (Coord.). Territórios Desconhecidos: A Procura Surrealista pelos Lugares do Abandono do Sentido e da Reconstrução da Subjetividade. Florianópolis: Fundação Boiteux, 2004. v.1. p.23

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Published

2024-02-01

How to Cite

MOREIRA, Hortência. Sonework. Revista de Ensino em Artes, Moda e Design, Florianópolis, v. 8, n. 1, p. 1–15, 2024. DOI: 10.5965/25944630812024e4876. Disponível em: https://periodicos.udesc.br/index.php/ensinarmode/article/view/24876. Acesso em: 13 may. 2024.

Issue

Vol. 8 No. 1 (2024): Dossiê 14: O ensino das Artes Visuais na atualidade

Section

Ensaios Visuais

License

Copyright (c) 2024 Hortência Moreira

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