One hundred and twelve lines: about drawing and process

Authors

DOI:

https://doi.org/10.5965/25944630812024e4731

Keywords:

drawing, contemporany drawing, artistic process

Abstract

This visual essay presents a sequence of images that make up the narrative of a video in which I set out to draw 56 lines with my right hand and 56 lines with my left hand on two pieces of paper, using black oil chalk. This work was part of a solo exhibition in 2021 called Drawing Exercises, in which I sought to present questions of process that reveal how the artist produces his work, as well as situating the work in a blur between process and final work, between drawing and writing. The essay aims to present, both in image and text, these questions about the final work and the process, and their intrinsic and almost tautological relationship, as the author Pamela Lee defines it in reference to drawing.

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Author Biography

Anna de Moraes Silva, Santa Catarina State University

Artista visual e doutoranda em artes visuais no Programa de Pós-graduação em Artes Visuais no PPGAV/CEART/UDESC. Agência de fomento de pesquisa: CAPES. 

References

LEE, Pamela. Some Kinds of Duration: The temporality of drawing as process art. In: BUTLER, Cornelia H. Afterimage: drawing through process. The Museum of Contemporary Art, Los Angeles. 1999.

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Published

2024-02-01

How to Cite

SILVA, Anna de Moraes. One hundred and twelve lines: about drawing and process. Revista de Ensino em Artes, Moda e Design, Florianópolis, v. 8, n. 1, p. 1–18, 2024. DOI: 10.5965/25944630812024e4731. Disponível em: https://periodicos.udesc.br/index.php/ensinarmode/article/view/24731. Acesso em: 21 nov. 2024.

Issue

Vol. 8 No. 1 (2024): Dossiê 14: O ensino das Artes Visuais na atualidade

Section

Ensaios Visuais

License

Copyright (c) 2024 Anna de Moraes Silva

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