Theater as a tool to understand the world

Authors

DOI:

https://doi.org/10.5965/2358695801402021e0500

Keywords:

Documentary theatre, Interaction mechanisms, Non-professional actors, Participation, Theatre of the real

Abstract

In this interview, carried out at the Künstlerhaus Mousonturm theatre in Frankfurt in February 2019, Helgard Haug, director of Rimini Protokoll, states her critical and theoretical positioning towards theatre. Among observations of her artistic reasons and creation processes, she particularly comments on DO's & DON'Ts - Eine Fahrt nach allen Regeln der Stadt (2018), Situation Rooms (2013), Welt-Klimakonferenz (2014) e Weltzustand Davos (Staat 4) (2018).

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Author Biography

Giorgio Zimann Gislon, Universidade do Estado de Santa Catarina (UDESC)

Doutorando em Teatro no PPGT-UDESC com projeto de pesquisa sobre o teatro com atores não profissionais e mecanismos de interação direta do público a partir do trabalho do grupo Rimini Protokoll, sob orientação do prof. Dr. Stephan Baumgartel.  Mestre em Artes em Estudos Latino-Americanos - Leiden University (2013). Mestre em Literatura pela Universidade Federal de Santa Catarina (2015).

References

LEHMANN, Hans-Thies. Teatro pós-dramático. São Paulo: Cosac & Naify, 2007.

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Published

2021-04-28

How to Cite

GISLON, Giorgio Zimann. Theater as a tool to understand the world. Urdimento: Revista de Estudos em Artes Cênicas, Florianópolis, v. 1, n. 40, p. 1–15, 2021. DOI: 10.5965/2358695801402021e0500. Disponível em: https://periodicos.udesc.br/index.php/urdimento/article/view/18878. Acesso em: 7 jul. 2024.

Issue

Vol. 1 No. 40 (2021): Curadoria da Performance e Processos de Cura em Artes Cênicas

Section

Interviews

License

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