The Ornament in John Ruskin's thought

Authors

DOI:

https://doi.org/10.5965/2175234612272020120

Keywords:

John Ruskin, Architecture, Ornament, Imperfection

Abstract

This paper aims to show and perceive the presence of the living ornament in the formation of John Ruskin's aesthetic thought. His reflections on the expressive work in architecture, manifested above all in its ornamentation, will be taken under the concept of the fantastic paradox of imperfection, which highlights the vitality and pleasure of the worker in his workshop practice. This manifestation of life and happiness could only be achieved by the communion between the manual and intellectual work of its artisans.

Downloads

Download data is not yet available.

Author Biography

Eliane Baader de Lima, Universidade Federal de Santa Catarina

Graduada em Artes (licenciatura) pela Universidade Regional de Blumenau - FURB. Mestre em Arquitetura e Urbanismo pela Universidade Federal de Santa Catarina - UFSC, Área de Concentração: Urbanismo, História e Arquitetura da Cidade, Linha de Pesquisa: Urbanismo, Cultura e História da Cidade, cujo tema de pesquisa apresenta uma proposta de ver e de pensar algumas expressões da arquitetura rural edificada pelo artífice imigrante em Santa Catarina e os ofícios construtivos tradicionais resguardados por artesãos, a partir de uma análise estética fundamentada no pensamento teórico de John Ruskin.

 

References

AMARAL, Claudio. John Ruskin e a Natureza do Gótico. Arquitextos, nº 235, ano 20, 2019.

CLARK, Kenneth. The Gothic Revival: an Essay in the History of Taste. London: Constable, 1950.

CLARK, Kenneth. Ruskin Today. Baltimore: Penguin Books, 1967.

FRAMPTON, Kenneth. História crítica da arquitetura moderna. Tradução de Jefferson Luiz Camargo e Marcelo Brandão Cipolla. São Paulo: Martins Fontes, 2015.

LANDOW, George. Aesthetic and Critical Theory of John Ruskin. Princeton: Princeton University Press, 1971.

LIRA, José Tavares Correia. Ruskin e o trabalho da arquitetura. Risco: Revista de Pesquisa em Arquitetura e Urbanismo, Universidade de São Paulo, São Paulo, v. 4, n. 2, p. 77-86, 2006.

RUSKIN, John. A economia política da arte. Tradução: Rafael Cardoso. Rio de Janeiro: Record, 2004.

RUSKIN, John. As pedras de Veneza. Tradução: Luís Eduardo de Lima Brandão. São Paulo: Martins Fontes, 1992.

RUSKIN, John. The Seven Lamps of Architecture. London: Library Edition, works, v. viii, 1903. Disponível em: https://bit.ly/2nVdW45.

RUSKIN, John. The Stones of Venice. London: Library Edition, v. I, works, v. ix, 1903 Disponível em: https://bit.ly/2nVdW45.

RUSKIN, John. The Stones of Venice. London: Library Edition, v. II, works, v. x, 1904 Disponível em: https://bit.ly/2nVdW45.

RUSKIN, John. The Stones of Venice. London: Library Edition, v. III, works, v. xi, 1904 Disponível em: https://bit.ly/2nVdW45.

RUSKIN, John. Two Lectures on the Political Economy of Art (1857-1880). In: RUSKIN, John. A Joy for ever. London: Library Edition, part I, works, v. xvi, 1905, p. 15-174. Disponível em: https://bit.ly/2nVdW45.

RUSKIN, John. Lectures on Architecture and Painting. Adenda aos capítulos I e II. London: Library Edition, part I, works, v. xii, 1904, p. 81-101. Disponível em: https://bit.ly/2nVdW45.

RUSKIN, John. Modern Manufacture and Design (1859). In: RUSKIN, John. The Two Paths. London: Library Edition, lecture III, works, v. xvi, 1905, p. 319-345. Disponível em: https://bit.ly/2nVdW45.

RUSKIN, John. Influence of Imagination in Architecture (1857). In: RUSKIN, John. The Two Paths. London: Library Edition, lecture IV, works, v. xvi, 1905, p. 346 -374. Disponível em: https://bit.ly/2nVdW45.

RUSKIN, John. Unto this Last (1860). London: Library Edition, part I, works, v. xvii, 1905, p. 5-118. Disponível em: https://bit.ly/2nVdW45.

TOWNSEND, Francis G. Ruskin and the Landscape Feeling: a critical analysis of his thought during the crucial years of his life, 1843-56. Urbana: University of Illinois, 1951.

Downloads

Published

2020-05-01

How to Cite

LIMA, Eliane Baader de. The Ornament in John Ruskin’s thought. Palíndromo, Florianópolis, v. 12, n. 27, p. 120–133, 2020. DOI: 10.5965/2175234612272020120. Disponível em: https://periodicos.udesc.br/index.php/palindromo/article/view/16949. Acesso em: 21 nov. 2024.

Issue

Vol. 12 No. 27 (2020): Linha Teoria e História da Arte

Section

Artigos Seção temática

License

Copyright (c) 2020 Eliane Baader de Lima

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

COPYRIGHT STATEMENT

 

The articles published by the magazine are free to use, intended for academic and non-commercial applications. Copyright is all assigned to the magazine. The articles whose authors are identified represent the expression from the point of view of their authors and not the official position of Palíndromo Magazine. The author (s) commits to whenever they publish material referring to the article published in Palíndromo mention this publication as follows:

 

This article was originally published by Palíndromo magazine in its volume (place the volume), number (place the number) in the year of (place the year) and can be accessed at: http://www.revistas.udesc.br/index.php/palindromo