Eidolon: the shadows and phantasmagoria of a body-spectrum videographic
DOI:
https://doi.org/10.5965/2595034702252021173Keywords:
Shadow, Phantasmagoria, Double, Body, VideoAbstract
This article is an analysis of the creation process of the video Eidolon (2020), an artistic work conducted by the notions of shadow, double and phantasmagoria present in shadow theater, in phantasmagoria shows, in the animation of silhouettes in cinema and in videographic language, to evoke the effects of presence of bodies represented as an image on illuminated, projected and luminous screens. The investigation aims to highlight the poetic potential of the interlocution between ancestral and technological and raise questions about the shadows of the hybrid, the technique, the occult, the desire, and memory in ghost images in contemporary narratives.
Downloads
References
AMARAL, Ana Maria. Teatro de Animação. São Caetano do Sul: Ateliê Editorial, 1997.
AGAMBEN, Giorgio. O que é contemporâneo?. Chapecó: ARGOS, 2009.
CAVENEY, Mike; et al., The Magic Book. Edição: 1a. Taschen, 2018.
CHEVALIER, J.; GHEERBRANT, A. Dicionário dos símbolos. José Olympio, 1998.
COELHO, Maira Castilhos. A presença de corpos ausentes, a fantasmagoria de Denis Marleau em Os Cegos de Maurice Maeterlinck. (Mestrado em Artes Cênicas) – Universidade Federal do Rio Grande do Sul, 2012.
DIDI-HUBERMAN, Georges. Diante do tempo: história da arte e anacronismo das imagens. Belo Horizonte: UFMG, 2015.
FELINTO, Erick. A Imagem Espectral - Comunicação, Cinema e Fantasmagoria Tecnológica. São Paulo: Atelie Editorial, 2008.
FLUSSER, Vilém. Filosofia da caixa preta. Rio de Janeiro: Relume Dumará, 2002.
GIESEN, Rolf. Puppetry, Puppet Animation and the Digital Age. First edition, Boca Raton, FL: CRC Press/Taylor & Francis Group, 2019.
HALL, Edith. National Theatre: An Introduction to Greek Theatre. 2013. Disponível em: https://youtu.be/aSRLK7SogvE . Acesso em: 16 nov. 2020.
LEITE, Marcelo Denny de Toledo. Cenografia digital na cena contemporânea. São Paulo: Annablume, 2019.
MACHADO, Arlindo. Pré-Cinemas e Pós-Cinemas. São Paulo: Papirus, 2011.
MANNONI, Laurent. A grande arte da luz e da sombra: arqueologia do cinema. São Paulo: Unesp, 2003.
MATURANA, Carmen Luz. Teatro de Sombras, Asia-Europa-Chile. Santiago de Chile: Ediciones Equilibrio Precario, 2009.
MELLO, Christine. Extremidades do vídeo. São Paulo: Editora SENAC, 2008.
RUSH, Michael. Novas mídias na arte contemporânea. São Paulo: Martins Fontes, 2006.
SCONCE, Jeffrey. Haunted Media - Electronic Presence, from Telegraphy to Television. Duke University Press, 2000.
STOICHITA, Victor I. Breve Historia de La Sombra. Madri: Ediciones Siruela, 1999.
VERNANT, Jean-Pierre. Mito e pensamento entre os gregos. São Paulo: Paz e Terra, 1990.
VIEIRA, Trajano. Helena, de Eurípedes, e seu duplo. São Paulo: Perspectiva, 2018.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2021 Móin-Móin Magazine - Studies in the Art of Puppetry
This work is licensed under a Creative Commons Attribution 4.0 International License.
The readers are free to transfer, print and use the articles published in the Magazine, as long as there’s explicit mention to the author(s) and to Móin-Móin Magazine - Studies in Theater of Animated Forms and there are no changes on the original work. Any other use of the texts needs to be approved by the author(s) and the Magazine. In submitting an article to Móin-Móin Magazine - Studies in Theater of Animated Forms and have it approved, the author(s) agree to give away, without payments, the following rights to the Magazine: first publishing rights and the license for the Magazine to redistribute this article and its metadata to index and reference services that the editors consider appropriate.
The articles whose author(s) are identified represent the author’s point of view and not the official position of Móin-Móin Magazine. The author(s) commit to always mention the publication in the following way when publishing work in reference to the article published in Móin-Móin Magazine:
“This article was originally published by Móin-Móin Magazine volume (insert the volume), number (insert the number), in the year of (insert year) and can be accessed on: http://www.revistas.udesc.br/index.php/móin"
Plagiarism in any way constitutes an unethical publishing behavior and is unacceptable. Móin-Móin Magazine holds the right to use software or other plagiarism tracking methods to scan the submitted works.
This journal uses Creative Commons Attribution Licence– (CC BY 4.0).
