Entre cuerpos olvidados y guerras vividas

Authors

DOI:

https://doi.org/10.5965/1414573104532024e0601

Keywords:

political, philosophical, jungle, Bogotá, duality

Abstract

The present text consists of the author's unpublished dramaturgy. The plot unfolds between the jungle and the city of Bogotá, revealing the philosophical and political twists that weave their lives into a network of mysteries. The protagonists confront their own humanity and discover a devastating truth that threatens to crumble everything they tried to rebuild. The play explores the duality of internal and external struggle, questioning freedom, political manipulation, and the very essence of human existence. The drama culminates in an unavoidable tragedy that poses profound existential questions and challenges the perception of fate and redemption.

Downloads

Download data is not yet available.

Author Biography

Raylson Silva da Conceição, Federal University of the State of Rio de Janeiro

Becado por Capes en el programa de doctorado en Teatro en la Universidad Federal del Estado de Rio de Janeiro (UNIRIO). Maestría en Artes Escénicas en la Universidad Federal de Maranhão (UFMA). Especialización en Arte, Medios y Educación del Instituto Federal de Educación, Ciencia y Tecnología de Maranhão (IFMA).  Licenciatura en Teatro de la UFMA.  

Downloads

Published

2024-12-18

How to Cite

CONCEIÇÃO, Raylson Silva da. Entre cuerpos olvidados y guerras vividas. Urdimento: Revista de Estudos em Artes Cênicas, Florianópolis, v. 4, n. 53, p. 1–17, 2024. DOI: 10.5965/1414573104532024e0601. Disponível em: https://periodicos.udesc.br/index.php/urdimento/article/view/24974. Acesso em: 22 dec. 2024.

Issue

Vol. 4 No. 53 (2024): Corpos que escrevem I - Teatralidades negras, africanas e afrodiaspóricas

Section

Dramaturgias

License

Copyright (c) 2024 Urdimento: Revista de Estudos em Artes Cênicas

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

Copyright Statement

The articles published by the magazine are free to use. The copyright is all assigned to the magazine. The articles whose authors are identified represent the expression from the point of view of their authors and not the official position of the journal Urdimento. The author (s) undertakes whenever publishing material relating to the article published in Revista Urdimento mention the said publication as follows: This article was originally published by Urdimento magazine in its volume (put the volume), number (put the number) in the year of (put the year) and can be accessed at:
 http://www.revistas.udesc.br/index.php/urdimento

This work is licensed under a Creative Commons Attribution 4.0 International License.