Dissident Memories: Our Odyssey, by Christiane Jatahy

Authors

DOI:

https://doi.org/10.5965/1414573103422021e0212

Keywords:

Embodied memory, Testimony, Archives as act

Abstract

The text analyzes the spectacles Ítaca [Ithaca] (2018) and O agora que demora [The now that’s delayed] (2019), created by the director Christiane Jatahy. Recognized for the creation of a performative, hybrid and political theatre, the artist transits between cultural and geographical frontier zones. Based on assemblages and repetitions the artist's performative practices relate to certain proposals defined by Rebecca Schneider, especially the conception of “archives as act” and embodied modes of memory.

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Author Biography

Sílvia Fernandes, Universidade de São Paulo (USP)

Post-doctoral studies at the University of Paris 8, in 2003, under the supervision of Patrice Pavis, and at the University of Lisbon, in 2009. PhD in Performing Arts (University of São Paulo, 1988), Master in Performing Arts (University of São Paulo, 1995), Graduated in Performing Arts (University of São Paulo, 1978). Senior Titular Professor in the Postgraduate Programme in Performing Arts of the University of São Paulo (USP).  

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Published

2021-12-13

How to Cite

FERNANDES, Sílvia. Dissident Memories: Our Odyssey, by Christiane Jatahy. Urdimento: Revista de Estudos em Artes Cênicas, Florianópolis, v. 3, n. 42, p. 1–20, 2021. DOI: 10.5965/1414573103422021e0212. Disponível em: https://periodicos.udesc.br/index.php/urdimento/article/view/21144. Acesso em: 23 nov. 2024.

Issue

Vol. 3 No. 42 (2021): Viewpoints e Método Suzuki em praticas artísticas e pedagógicas | Pedagogia das Artes Cênicas em tempos pandêmicos: Criações online e ensino emergencial remoto II

Section

Continuous flow

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