Vulgar without being sexy: Body, work and scene in Mila Teixeira's poetry
DOI:
https://doi.org/10.5965/1414573101432022e0205Keywords:
Mila Teixeira, Vulgarity, Cruelty, Work, BodyAbstract
This article focuses on the analysis of poems from the book A proclamação da vulgaridade ou quantos furos uma calcinha pode ter?, written by poet, screenwriter and playwriter Mila Teixeira, and published by Urutau in 2021. From the notion of cruelty in Artaud, the text seeks an approximation with the announcement of vulgarity, proclaimed by the writer. By highlighting verses that suggest the confluence between life and work of art, poetry is analyzed from the perspective of work in art as a practice of investigating the body and recreating relationships. The stories and images shared by the author are interpreted as scenic situations that reveal the manifestation of a poetic-theatrical state in her production. Finally, autofictional writing is approached as a proposition for the expansion of spaces for listening and sharing incarnated experiences.
Downloads
References
ARTAUD, Antonin. O teatro e seu duplo. São Paulo: Martins Fontes, 2006.
BUTLER, Judith. Relatar a si mesmo: crítica da violência ética. Belo Horizonte: Autêntica Editora, 2015.
FERNANDES, Silvia. Teatralidades Contemporâneas. São Paulo: Perspectiva: Fapesp, 2010.
LOPES, Adília. Aqui estão as minhas contas – Antologia poética. Rio de Janeiro: Bazar do tempo, 2019.
MORAIS, Gabriel Antunes. A cena autoficcional como ato estético-político para performar outras masculinidades. In: CICLORAMA: Cadernos de Pesquisa da Direção Teatral, v.8. Rio de Janeiro: UFRJ, 2020. Disponível em: https://issuu.com/ciclorama/docs/ciclorama8_2020. Acesso em: 01 out. 2021.
PELBART, Peter Pál. Biopolítica. In: Sala Preta, São Paulo, 2007. Disponível em: https://www.revistas.usp.br/salapreta/article/view/57320. Acesso em: 01 out. 2021.
PERES, Wiliam Siqueira. Travestilidades Nômades: A explosão dos binarismos e a emergência queering. In: Revista Estudos Feministas, Florianópolis, 20(2): 2012. Disponível em: https://periodicos.ufsc.br/index.php/ref/article/view/S0104-026X2012000200014. Acesso em: 01 out. 2021.
QUILICI, Cassiano Sydow. Antonin Artaud: Teatro e Ritual. São Paulo: FAPESP; Annablume, 2004.
QUILICI, Cassiano Sydow. O ator-performer e as poéticas da transformação de si. São Paulo: Annablume, 2015.
TEIXEIRA, Mila. A proclamação da vulgaridade ou quantos furos uma calcinha pode ter? Bragança Paulista: Editora Urutau, 2021.
Published
How to Cite
Issue
Section
License
Copyright (c) 2022 Urdimento - Revista de Estudos em Artes Cênicas
![Creative Commons License](http://i.creativecommons.org/l/by/4.0/88x31.png)
This work is licensed under a Creative Commons Attribution 4.0 International License.
Copyright Statement
The articles published by the magazine are free to use. The copyright is all assigned to the magazine. The articles whose authors are identified represent the expression from the point of view of their authors and not the official position of the journal Urdimento. The author (s) undertakes whenever publishing material relating to the article published in Revista Urdimento mention the said publication as follows: This article was originally published by Urdimento magazine in its volume (put the volume), number (put the number) in the year of (put the year) and can be accessed at:
http://www.revistas.udesc.br/index.php/urdimento
This work is licensed under a Creative Commons Attribution 4.0 International License.