Artists of Dionysus: Actors and musicians in ancient Greek tragedy

Authors

DOI:

https://doi.org/10.5965/1414573102412021e0111

Keywords:

History of Theate, Greek, Tragedy, Actor, Musician

Abstract

This article aims to analyze the position occupied by actors and musicians in the production system of ancient Greek tragic spectacle, inside and outside the scene, in the interval between the 5th century BC and the 2nd century BC. For that, a trajectory was proposed that starts from tragedy as an activity limited to the families of the Athenian elite, passes through the emergence of a job market for actors, through the consolidation of a star system, until arriving at the organization of associations of artists of Dionysus. As representative of this path, the images of Sophocles, Kallipides, Neoptolemus and Kraton were evoked.

Downloads

Download data is not yet available.

Author Biographies

Vinicius Torres Machado, Instituto de Artes da Universidade Estadual Paulista "Júlio de Mesquita Filho"

Doutorado em Artes Cênicas pela Universidade de São Paulo, com estágio supervisionado na Ghent University (Bélgica). Professor Doutor do Instituto de Artes da Universidade Estadual Paulista "Júlio de Mesquita Filho". 

João Pedro Ferreira dos Santos Ribeiro, Instituto de Artes da Universidade Estadual Paulista "Júlio de Mesquita Filho"

Mestrando em Artes da Cena pelo Instituto de Artes da Universidade Estadual Paulista "Júlio de Mesquita Filho".

References

ANEZIRI, Sophia. Artists of Dionysus: The first professional associations in the ancient Greek world. In HARRIS, Edward, LEWIS, David, STEWART, Edmund (org.). Skilled labour and professionalism in ancient Greece and Rome. Cambridge: Cambridge University Press, 2020, p.293-312.

ANEZIRI, Sophia. The organisation of music contests in the hellenistic period and artists’ participation: An Attempt at Classification. In: WILSON, Peter (org.). The Greek theatre and festivals: documentary studies. Oxford. Oxford University Press, 2007, p.67-84.

ANEZIRI, Sophia. World travellers: the associations of artists of Dionysus. In: HUNTER, Richard, RUTHERFORD, Ian (org.) Wandering poets in ancient Greek culture: travel, locality and pan-hellenism. Cambridge: Cambridge University Press, 2009, p.217-236.

ARISTÓTELES. Poética. Lisboa: Fundação Calouste Gulbenkian, 2008.

BÉLIS, Annie. Les musiciens dans l'antiquité. Paris: Hachette Littératures, 1999.

CHANIOTIS, Angelos. Theatricality beyond the theater: staging public life in the hellenistic world. Pallas: revue d'études antiques, Paris, v. 47, n. 1, p. 219-259, 1997.

CSAPO, Eric. Actors and icons of the ancient theatre. Oxford: Wiley-Blackwell, 2010.

CSAPO, Eric. Calípides limpando o assoalho: os limites do realismo no estilo clássico de atuação e interpretação. In: EASTERLING, Pat, HALL, Edith (org.). Atores gregos e romanos: aspectos de uma antiga profissão. São Paulo: Odysseus, 2008, p.145-170.

EASTERLING, Pat. From repertoire to canon. In: EASTERLING, Pat (org.). The Cambridge companion to Greek tragedy. Cambridge: Cambridge University Press, 1997, p.211-227.

EASTERLING, Pat. O ator como ícone. In: EASTERLING, Pat, HALL, Edith (org.). Atores gregos e romanos: aspectos de uma antiga profissão. São Paulo: Odysseus, 2008, p.383-400.

HALL, Edith. Atores-cantores da antiguidade. In: EASTERLING, Pat, HALL, Edith (org.). Atores gregos e romanos: aspectos de uma antiga profissão. São Paulo: Odysseus, 2008, p.3-44.

HERINGTON, John. Poetry into drama: early tragedy & the Greek poetic tradition. Berkeley: University of California Press, 1985.

KOVACS, George. Stringed instruments in fifth-century drama. In: HARRISON, George William Mallory, LIAPIS, Vayos (org.). Performance in Greek and Roman theatre. Boston: Brill, 2013. p.477-500.

LE GUEN, Brigitte. Kraton, Son of Zotichos: Artists’ Associations and Monarchic Power in the Hellenistic Period. In: WILSON, Peter (org.). The Greek theatre and festivals: documentary studies. Oxford. Oxford University Press, 2007, p.246-278.

MEINECK, Peter. Under Athena’s gaze: Aeschylus’ Eumenides and the topography of opsis. In: HARRISON, George William Mallory, LIAPIS, Vayos (org.). Performance in Greek and Roman theatre. Boston: Brill, 2013. p.161-180.

MOTA, Marcus. A dramaturgia musical de Ésquilo: investigações sobre composição, realização e recepção de ficção audiovisual. Brasília: Editora UnB, 2008.

PICKARD-CAMBRIDGE, Sir Arthur Wallace. The dramatic festivals of Athens. Oxford: Oxford University Press, 1968.

RAMOS, Luiz Fernando. Mimesis performativa: a margem de invenção possível. São Paulo: Annablume, 2015.

SCHECHNER, Richard. Performance theory. Londres: Taylor & Francis, 1988.

SLATER, William. Deconstructing festivals. In: WILSON, Peter (org.). The Greek theatre and festivals: documentary studies. Oxford. Oxford University Press, 2007. p.21-47.

SUTTON, Dana Ferrington. The theatrical families of Athens. The American Journal of Philology, Cambridge, v. 108, n. 1, p.9-26, 1987.

TYRELL, Blake. The Suda's Life of Sophocles (sigma 815): translation and commentary with sources. Electronic Antiquity, Blacksburg, v. 9, n. 1, p.1-231, 2004.

WILSON, Peter. Music. In: GREGORY, Justina (org.). A companion to Greek tragedy. Oxford: Blackwell Publishing, 2005. p.183-193.

WILSON, Peter. Os músicos entre os atores. In: EASTERLING, Pat, HALL, Edith (org.). Atores gregos e romanos: aspectos de uma antiga profissão. São Paulo: Odysseus, 2008. p.45-78.

Published

2021-09-14

How to Cite

MACHADO, Vinicius Torres; RIBEIRO, João Pedro Ferreira dos Santos. Artists of Dionysus: Actors and musicians in ancient Greek tragedy. Urdimento: Revista de Estudos em Artes Cênicas, Florianópolis, v. 2, n. 41, p. 1–25, 2021. DOI: 10.5965/1414573102412021e0111. Disponível em: https://periodicos.udesc.br/index.php/urdimento/article/view/20503. Acesso em: 21 nov. 2024.