An inclusive odyssey grotesque and capacitism: about the artist and teacher Ana Amália
DOI:
https://doi.org/10.5965/2175234615362023e0003Keywords:
people as a disability, capacitism, grotesque, visual arts, art/educationAbstract
A photo-novel is presented here about the trajectory of the visual artist and teacher Ana Amália, who in 2002 suffered a stroke and became quadriplegic, mute and dysphagic. The objective of this photo-novela is to provoke reflections on ableism, since historically any type of disability has already been treated as grotesque, an issue she points out at the end. Because it is an artistic production, the qualitative research developed in a doctoral thesis carried out by her is associated with the artist's creative process, on which the narrative is structured. To this end, graphic and photographic resources are used with the same degree of importance as words, so that the many communication possibilities of a disabled person like Ana Amália can be perceived.
Downloads
References
BARBOSA, Ana Amália Tavares Bastos. Além do corpo: uma experiência em arte/educação. São Paulo: Cortez, 2014.
MILLETT-GALLANT, Ann. The disabled body in contemporary art. New York: Palgrave Macmillan, 2010. (tradução de Ana Amália, Beatriz Correa e José Minerini).
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2023 Ana Amália Tavares Bastos Barbosa, Jose Minerini Neto
![Creative Commons License](http://i.creativecommons.org/l/by/4.0/88x31.png)
This work is licensed under a Creative Commons Attribution 4.0 International License.
COPYRIGHT STATEMENT
The articles published by the magazine are free to use, intended for academic and non-commercial applications. Copyright is all assigned to the magazine. The articles whose authors are identified represent the expression from the point of view of their authors and not the official position of Palíndromo Magazine. The author (s) commits to whenever they publish material referring to the article published in Palíndromo mention this publication as follows:
This article was originally published by Palíndromo magazine in its volume (place the volume), number (place the number) in the year of (place the year) and can be accessed at: http://www.revistas.udesc.br/index.php/palindromo