Museum as a tool, art history as speech

Authors

  • Mariana Estellita Lins Silva Federal University of Rio de Janeiro image/svg+xml

DOI:

https://doi.org/10.5965/2175234612262020208

Keywords:

museum, art history, structure, discourse

Abstract

We intend to build reflections about the relationship between museum and art history, from the perspective of the discourses construction. For that we will bring discussions about the museum - as well as the archive and the library - from authors such as Michel Foucault and Jacques Derrida, who approach these institutions as being legitimate to affirm narratives. Then we will seek to sustain on the one hand the relationship between structure, environment and modernity; and on the other hand its transformation to poststructuralism, the dissolution of the specific medium for the art work and postmodernity.

Downloads

Download data is not yet available.

Author Biography

Mariana Estellita Lins Silva, Federal University of Rio de Janeiro

Mariana Estellita é Museóloga, mestre e doutoranda em História e Crítica de Arte pelo Programa de Pós Graduação em Artes Visuais - PPGAV/EBA/UFRJ. Como pesquisadora atua principalmente na interface entre museologia e arte contemporânea.

References

BELTING, Hans. O fim da história da arte: uma revisão dez anos depois. São Paulo: Cosac Naify, 2006.

DANTO, Arthur. Após o Fim da Arte. A arte contemporânea e os limites da história. São Paulo: Odysseus, Edusp, 2006.

DERRIDA, Jacques. Mal de arquivo: uma impressão freudiana. Rio de Janeiro: Relume Dumará, 2001.

DUARTE, Alice. Nova Museologia; os pontapés de saída de uma abordagem ainda inovadora. In: Revista Eletrônica do Programa de Pós-Graduação em Museologia e Patrimônio – PPG-PMUS Unirio | MAST - vol. 6 no 1 – 2013.

FREIRE, Cristina. Poéticas do processo: arte conceitual no museu. São Paulo: Iluminuras, 1999.

FOSTER, Hal ; KRAUSS, Rosalind ; BOIS, Ive-Alain ; BUCHLOH, Benjamin. Art since 1900. Modernism, antimodernism, postmodernism. Londres: Thames & Hudson, 2014.

FOUCAULT, Michel. A ordem do discurso: aula inaugural no Collège de France pronunciada em 02 de dezembro de 1970. São Paulo: Edições Loyola, 2013.

GREEMBERG, Clemment. Rumo a um mais novo Lacoonte. In: COTRIM, C.; FERREIRA, G. Clemente Greenberg e o debate crítico. Rio de Janeiro: Zahar/FUNARTE, 1997.

KRAUSS, Rosalind. A escultura no campo ampliado. Rio de Janeiro: Arte Ensaios n°17, p.128 – 137. 2005

PREZIOSI, Donald. Epilogue. The Art of Art History. Oxford University Press 1998. Canada.

VERGO, Peter. The New museology. 1989 , Reaktion Books. London EC1V ODX, UK

VOLK, Tyler. Metapatterns: acros space, time, and mind. Columbia. Columbia University Press, 1995.

Downloads

Published

2020-01-01

How to Cite

SILVA, Mariana Estellita Lins. Museum as a tool, art history as speech. Palíndromo, Florianópolis, v. 12, n. 26, p. 208–226, 2020. DOI: 10.5965/2175234612262020208. Disponível em: https://periodicos.udesc.br/index.php/palindromo/article/view/10477. Acesso em: 22 nov. 2024.

Issue

Vol. 12 No. 26 (2020): CORPO PERCURSO PAISAGEM

Section

Artigos Seção aberta

License

Copyright (c) 2020 Palíndromo

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

COPYRIGHT STATEMENT

 

The articles published by the magazine are free to use, intended for academic and non-commercial applications. Copyright is all assigned to the magazine. The articles whose authors are identified represent the expression from the point of view of their authors and not the official position of Palíndromo Magazine. The author (s) commits to whenever they publish material referring to the article published in Palíndromo mention this publication as follows:

 

This article was originally published by Palíndromo magazine in its volume (place the volume), number (place the number) in the year of (place the year) and can be accessed at: http://www.revistas.udesc.br/index.php/palindromo