Schoenberg contra Schenker contra Schoenberg: polêmicas sobre dissonância, motivo e forma e as reconciliações possíveis
DOI :
https://doi.org/10.5965/2525530406032021178Mots-clés :
Schoenberg, Schenker, análise musical, teoria musicalRésumé
Este texto aborda uma das polêmicas mais importantes da teoria e análise musical do século XX. O embate entre Schoenberg e Schenker sobre a legitimidade das notas não harmônicas na música tonal, dissonâncias, a importância de motivo e forma. No texto busca-se discutir e esclarecer as concepções sobre estes assuntos e sua importância para as respectivas teorias analíticas de cada autor. Por fim, o texto apresenta as tentativas de reconciliação entre as duas tendências analíticas.
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