Care of the self and the preparation for free musical improvisation
DOI:
https://doi.org/10.5965/2525530401022016079Keywords:
free musical improvisation, preparation, care of the selfAbstract
The present article aims to contribute
to reflections regarding different processes of preparation for free musical improvisation, with aid of the idea of “care of the
self”, as presented by Michel Foucault in
the Hermeneutics of the Subject. The philosopher conducts a study of this concept
and associated practices, among classic
Greek philosophers and follows it to the
time of Descartes when it is dissociated
from “know thyself”. By way of revision of
Foucault’s work, we shall attempt to describe concepts which may aid us in looking
at practices of preparation for free musical
improvisation. As reference for studies in
the field of learning musical improvisation,
we shall present ideas from researches
which bring together music and cognitive
sciences. Lastly we shall offer our reflection based on the practices studied herein, and we shall search for tools for the
comprehension of the preparation for free
musical improvisation, which contemplate
more than the motor rehearsal of the actions of the performance.
Downloads
References
ARTAUD, A. O Teatro e Seu Duplo. Brasil, Martins Editora, 2006.
BERKOWITZ, A. The Improvising Mind – Cognition and Creativity in the Musical Moment. New York: Oxford University Press. 2010.
COSTA, R. Estratégias pedagógicas para a prática da livre improvisação: diálogos entre a improvisação e a composição. In: XX Congresso da Anppom, 2010, Florianópolis. Anais do XX Congresso da Anppom. Florianópolis, 2010. p. 447-452.
COSTA, R.; Schaub, S. Expanding the concepts of knowledge base and referent in the context of collective free improvisation. XXIII Congresso da Anppom. Natal, 2013.
FOUCAULT, M. A hermenêutica do sujeito. São Paulo: Martins Fontes, 2006.
GROTOWSKI, J.; BARBA, E.; FLASZEN, L. O Teatro laboratório de Jerzy Grotowski 1959-1969. São Paulo: Sesc/Perspectiva, 2010.
MINGUS, C. Saindo da Sarjeta. Rio de Janeiro. Jorge Zahar Editor: 2005.
OLIVEROS, P. Deep listening A composer’s sound practice. Lincoln: Deep Listening Publications, 2005.
PRESSING, Jeff. Psychological Constraints on Improvisational Expertise and Communication, in In the course of Performance: Studies in the World of Musical Improvisation. Ed. Bruno Nettl and Melinda Russel Chicago, (University of Chicago Press, 1998).
SLOTERDIJK, P. Has de cambiar tu vida. Espanha. Pre-Textos, 2012
STANISLAVSKI, Constantin. A Preparação do ator. RJ: Civilização Brasileira, 1989.
TAMM, E. Robert Fripp From King Crimson to Guitar Craft. UK: Faber and Faber, 1990.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2017 ORFEU
This work is licensed under a Creative Commons Attribution 4.0 International License.
Authors who submit their manuscripts to be published in this journal agree to the following terms:
1. Authors retain the copyright and grant to the journal the right of first publication, whilst simultaneously permitting their work to be licensed under the Creative Commons License Attribution, which allows the sharing of work with recognition of the authorship and initial publication in this journal.
2. Contributions in this journal are open access; this means they are based in free use, and non-commercial applications.