Los títeres son del pueblo

Authors

DOI:

https://doi.org/10.5965/2595034702222020152

Abstract

Resumen: El presente texto es un relato de las experiencias iniciales como titiritero de Miguel Oyarzún en las poblaciones periféricas de Chile durante la dictadura (1973- 1990). Por medio de estas memorias accedemos a las vivencias que muestran el papel que desempeñó el artista junto a los activistas en defensa de la calidad de vida de sus habitantes. El texto apunta la capacidad del arte en la comunidad para la articulación social y la educación popular en tiempos de desamparo y prohibiciones. Además, muestra la función de los talleres comunitarios, que lejos de ocuparse llanamente de trasmitir una técnica, abren el espacio de expresión y denuncia, significando el vehículo de transmisión de saberes y continuidad del arte del pueblo.

Palabras claves: Teatro de títeres. Población. Chile.

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Author Biography

Miguel Oyarzún, El Chónchón

Estudou artes plásticas e teatro na Universidade De Chile de Valparaíso. Trabalhou com bonequeiros de destaque como como Héctor Di Mauro, Roberto Espina, Jorge Mi- cheli, Rudy López e Carlos Piñero (ex integrante de El Chonchón). Digiriu numerosos elencos do país e ministrou oficinas em nível nacional e internacional. Criador e diretor de “El Chonchón”, com o qual viajou parte da América Latina, Estados Unidos e Europa.

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Published

2020-07-29

How to Cite

OYARZÚN, Miguel. Los títeres son del pueblo. Móin-Móin Magazine - Studies in the Art of Puppetry, Florianópolis, v. 1, n. 22, p. 152–161, 2020. DOI: 10.5965/2595034702222020152. Disponível em: https://periodicos.udesc.br/index.php/moin/article/view/2595034702222020152. Acesso em: 22 nov. 2024.

Issue

Vol. 1 No. 22 (2020): Censura e transgressão no Teatro de Animação

Section

Artigos fora do Dossier Temático

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Copyright (c) 2020 Móin-Móin - Revista de Estudos sobre Teatro de Formas Animadas

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