University-Level puppetry training

Authors

  • Marek Waszkiel The Animation Theatre - Poznań (Poland)

DOI:

https://doi.org/10.5965/2595034702142015219

Abstract

For seventy years puppet theatre in the region of Central-Eastern Europe has been developing in a different rhythm than elsewhere. Introducing puppeteer training was a natural consequence of the establishment of institutional puppet theatres. The puppetry schools were modelled on art academies; after all, these academies had been educating artists, musicians, actors, so why not puppeteers? University-level faculties
of puppetry finally emerged in the 1950s because, so to speak, the realities of the era had demanded it. What is the situation now? Is the long-term professional training of puppeteers still interesting, useful, needed? What are the strengths and weaknesses of the system of the university-level puppeteer training?

Keywords: Puppetry. Art training. Puppetry schools.

Downloads

Download data is not yet available.

Author Biography

Marek Waszkiel, The Animation Theatre - Poznań (Poland)

Ph.D. historiador, professor na Academia de Teatro em Varsóvia e Bialystok, Vice-reitor da Academia (1999-2005), diretor do Teatro de Animação em Poznan, Polônia (desde 2014), ex-diretor do Teatro de Bonecos de Bialystok (2005-2012). Coopera com muitos teatros de bonecos, escolas de teatro de formas animadas e festivais em vários países como consultor de Teatro.

Downloads

Published

2018-03-09

How to Cite

WASZKIEL, Marek. University-Level puppetry training. Móin-Móin Magazine - Studies in the Art of Puppetry, Florianópolis, v. 2, n. 14, p. 219–227, 2018. DOI: 10.5965/2595034702142015219. Disponível em: https://periodicos.udesc.br/index.php/moin/article/view/1059652595034702142015219. Acesso em: 22 nov. 2024.

Issue

Vol. 2 No. 14 (2015): Filosofias da Formação Profissional no Teatro de Formas Animadas

Section

Artigos fora do Dossier Temático

License

The readers are free to transfer, print and use the articles published in the Magazine, as long as there’s explicit mention to the author(s) and to Móin-Móin Magazine - Studies in Theater of Animated Forms and there are no changes on the original work. Any other use of the texts needs to be approved by the author(s) and the Magazine. In submitting an article to Móin-Móin Magazine - Studies in Theater of Animated Forms and have it approved, the author(s) agree to give away, without payments, the following rights to the Magazine: first publishing rights and the license for the Magazine to redistribute this article and its metadata to index and reference services that the editors consider appropriate.

The articles whose author(s) are identified represent the author’s point of view and not the official position of Móin-Móin Magazine. The author(s) commit to always mention the publication in the following way when publishing work in reference to the article published in Móin-Móin Magazine:

“This article was originally published by Móin-Móin Magazine volume (insert the volume), number (insert the number), in the year of (insert year) and can be accessed on: http://www.revistas.udesc.br/index.php/móin"

Plagiarism in any way constitutes an unethical publishing behavior and is unacceptable. Móin-Móin Magazine holds the right to use software or other plagiarism tracking methods to scan the submitted works.

This journal uses Creative Commons Attribution Licence– (CC BY 4.0).