Apprendre à apprendre

Authors

  • Nicolas Gousseff Théâtre qui - Paris (França)

DOI:

https://doi.org/10.5965/2595034702142015113

Abstract

La mondialisation via internet nous permet d’être partout sauf ici, là où on
est. Comment être ensemble alors? La marionnette est riche de question pour notre
«machine à penser», la rendre féconde dans la transmission de son métier serait de restaurer cet «ici», afin que puisse s’engager une parole politique, poétique, philosophique. Questionner pourquoi nous faisons ce que nous faisons ne pourrait se faire sans cela, c’est à l’étudiant de trouver son pourquoi, au pédagogue de l’y inciter. Les germes de nos questions sont en amont mais c’est en aval que nous les comprenons, afin que la direction du chemin coïncide avec son sens.


Mots-Clé: Apprendre. Être là. Corps.

Downloads

Download data is not yet available.

Author Biography

Nicolas Gousseff, Théâtre qui - Paris (França)

Diretor teatral, pedagogo e ator-marionetista,
formado pela École Nationale Supérieure des Arts de la Marionnette - ESNAM. Fundador e diretor artístico da Cie. "Théâtre qui", em Paris. Integrou durante 5 anos a Cie. Philppe Genty, posteriormente trabalhou na criação de espetáculos com François Lazaro, Daniel Lemahieu, Francis
Marshall e Cie. Agitez le bestiaire. Sob a orientação de Alain Recoing desenvolve o conceito de "corps castelet" [corpo espaço] utilizado em seus trabalhos como pedagogo do teatro.

Downloads

Published

2018-03-09

How to Cite

GOUSSEFF, Nicolas. Apprendre à apprendre. Móin-Móin Magazine - Studies in the Art of Puppetry, Florianópolis, v. 2, n. 14, p. 113–123, 2018. DOI: 10.5965/2595034702142015113. Disponível em: https://periodicos.udesc.br/index.php/moin/article/view/1059652595034702142015113. Acesso em: 22 nov. 2024.

Issue

Vol. 2 No. 14 (2015): Filosofias da Formação Profissional no Teatro de Formas Animadas

Section

Artigos fora do Dossier Temático

License

The readers are free to transfer, print and use the articles published in the Magazine, as long as there’s explicit mention to the author(s) and to Móin-Móin Magazine - Studies in Theater of Animated Forms and there are no changes on the original work. Any other use of the texts needs to be approved by the author(s) and the Magazine. In submitting an article to Móin-Móin Magazine - Studies in Theater of Animated Forms and have it approved, the author(s) agree to give away, without payments, the following rights to the Magazine: first publishing rights and the license for the Magazine to redistribute this article and its metadata to index and reference services that the editors consider appropriate.

The articles whose author(s) are identified represent the author’s point of view and not the official position of Móin-Móin Magazine. The author(s) commit to always mention the publication in the following way when publishing work in reference to the article published in Móin-Móin Magazine:

“This article was originally published by Móin-Móin Magazine volume (insert the volume), number (insert the number), in the year of (insert year) and can be accessed on: http://www.revistas.udesc.br/index.php/móin"

Plagiarism in any way constitutes an unethical publishing behavior and is unacceptable. Móin-Móin Magazine holds the right to use software or other plagiarism tracking methods to scan the submitted works.

This journal uses Creative Commons Attribution Licence– (CC BY 4.0).