Do Antigo ao Moderno Percepções de uma espectadora

Authors

  • Penny Francis Central School of Speech and Drama (Londres)

DOI:

https://doi.org/10.5965/2595034702042007147

Abstract

Penny Francis apresenta aqui um panorama da evolução do teatro de bonecos europeu contemporâneo, com a esperança de que o leitor o considere instigante para observar as similaridades e contrastes entre este e o teatro de bonecos no Brasil. Através da descrição da produção dos diversos países europeus– com forte enfoque na produção britânica – o leitor certamente poderá encontrar o prazer de reconhecer algumas características compartilhadas pelos nossos mundos.

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Author Biography

Penny Francis, Central School of Speech and Drama (Londres)

Penny Francis foi a primeira editora da revista Animations e atualmente é membro do Conselho Editorial de Animations Online.  Professora e orientadora do Mestrado em Prática Teatral Avançada na Central School of Speech and Drama em Londres. É ensaísta, revisora e editora de várias publicações, entre elas Aspects of Puppet Theatre, History of European Puppetry e The Inner World of Edward Gordon Craig. É membro do Conselho da UNIMA.   Pesquisa o teatro de marionetes contemporâneo.   

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Published

2018-04-13

How to Cite

FRANCIS, Penny. Do Antigo ao Moderno Percepções de uma espectadora. Móin-Móin Magazine - Studies in the Art of Puppetry, Florianópolis, v. 2, n. 04, p. 147–162, 2018. DOI: 10.5965/2595034702042007147. Disponível em: https://periodicos.udesc.br/index.php/moin/article/view/1059652595034702042007147. Acesso em: 17 jul. 2024.

Issue

Vol. 2 No. 04 (2007): Teatro de Formas Animadas Contemporâneo

Section

Artigos fora do Dossier Temático

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