La voz y el habla en el teatro de animación

Authors

  • Patrícia Frenkel Universidade Nacional de San Martin – UNSAM

DOI:

https://doi.org/10.5965/2595034701192018147

Abstract

Este texto pone la mirada en el trabajo vocal de los actores/titiriteros para la escena: cómo hacer el pasaje de la voz coloquial a la voz proyectada sin perder riqueza en la expresión sonora, tomando como punto de partida para la práctica los ejercicios bioenergéticos que propone Alexander Lowen.

Palabras-clave: Voz. Expresión. Desbloqueo. Enraizamiento.

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Author Biography

Patrícia Frenkel, Universidade Nacional de San Martin – UNSAM

É cantora e docente de Técnica Tocal. Desde 1993 ministra aulas na Escuela Metropolitana de Arte Dramático (EMAD), na Universidad Nacional de San Martín (UNSAM) na especialidade de Teatro de Títeres e objetos e no Instituto Vocacional de Arte Manuel José de Lavardén. Realizou estudos de música e canto aplicando diversas técnicas, como a bioenergética (Lowen), sistema consciente para o movimento (Fedora Aberastury) e educação funcional do cantor (método Rabine). Como cantora integrou os grupos Cantoras del Mollar (canto com caixa) e Coro e Orquestra da UBA (Universidad de Buenos Aires), realizando apresentações no Teatro Colón, entre outros.

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Published

2018-11-30

How to Cite

FRENKEL, Patrícia. La voz y el habla en el teatro de animación. Móin-Móin Magazine - Studies in the Art of Puppetry, Florianópolis, v. 1, n. 19, p. 147–157, 2018. DOI: 10.5965/2595034701192018147. Disponível em: https://periodicos.udesc.br/index.php/moin/article/view/1059652595034701192018147. Acesso em: 17 aug. 2024.

Issue

Vol. 1 No. 19 (2018): Voz e fala no Teatro de Animação

Section

Artigos fora do Dossier Temático

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