Do objeto à figura e da imagem à forma
DOI:
https://doi.org/10.5965/2595034701122014110Abstract
A partir das acepções que as Vanguardas Históricas Europeias despertaram no início do Século XX, este artigo se propõe a refletir sobre as perspectivas que, na época, o teatro de bonecos manifestava, seja como: teatro de animação, de objetos, teatro de imagens e/ou teatro visual. O estudo é ilustrado com experimentações e espetáculos do Grupo Casulo – BonecObjeto, de São Paulo. São destacadas as influências no Grupo, visíveis nas suas montagens, sob o ponto de vista técnico, estético e simbólico caracterizando a heterogeneidade de suas criações.
Palavras-chave: Teatro de Animação. Teatro de Imagens. Teatro Visual. Teatro de Objeto.
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