Crossing Orlan's mirror

Authors

DOI:

https://doi.org/10.5965/198431782012024e0051

Keywords:

art, Orlan, body, mirror, identity

Abstract

This article brings a reflection on the performance The Carnal Art, Orlan's manifesto, a self-portrait work focusing on understanding the processes of reconfiguring the status of the body through the approximation of art with technology and aesthetics body deconstruction. The body as corporeality is the subject's subjective existence and through this body it is possible to perceive the world and relate to others. For this reflective proposal, we approach the representations that explore and problematize the relationships of the female body transformed into an object by art, in which unnatural elements are incorporated, such as prostheses, plastic surgeries, image manipulation by computer programs, among others. In this approach, Orlan's artistic trajectory stands out, whose works are analyzed here from the understanding of the body as a consequence of social conflicts and the place of questions regarding the discourses on sexuality, gender, subjectivity and identity.

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References

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Published

2024-01-01

How to Cite

PIAZZA, Rosana Dalla. Crossing Orlan’s mirror. Journal of Education, Arts, and Inclusion, Florianópolis, v. 20, n. 1, p. e0051, 2024. DOI: 10.5965/198431782012024e0051. Disponível em: https://periodicos.udesc.br/index.php/arteinclusao/article/view/19786. Acesso em: 21 dec. 2024.

Issue

Vol. 20 No. 1 (2024): Revista Educação, Artes e Inclusão - Publicação contínua

Section

Artigos em fluxo contínuo

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Copyright (c) 2024 Rosana Dalla Piazza

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