Arte, ciência e religião no pensamento de François Delsarte
DOI:
https://doi.org/10.5965/1414573102192012139Abstract
O artigo revisita a teoria de François Delsarte (1811-1871) e a sua relação com doutrinas metafísicas. A estética do mestre francês é apresentada de modo a elucidar os conceitos de gesto, corpo empíricio e corpo transcendental no arcabouço epistemólogico da cosmogeafia analógica de Delsarte.Downloads
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2019 Urdimento - Revista de Estudos em Artes Cênicas
This work is licensed under a Creative Commons Attribution 4.0 International License.
Copyright Statement
The articles published by the magazine are free to use. The copyright is all assigned to the magazine. The articles whose authors are identified represent the expression from the point of view of their authors and not the official position of the journal Urdimento. The author (s) undertakes whenever publishing material relating to the article published in Revista Urdimento mention the said publication as follows: This article was originally published by Urdimento magazine in its volume (put the volume), number (put the number) in the year of (put the year) and can be accessed at:
http://www.revistas.udesc.br/index.php/urdimento
This work is licensed under a Creative Commons Attribution 4.0 International License.
