The other is an I
DOI:
https://doi.org/10.5965/1414573102512024e0116Keywords:
neo-colonialism, Hal Foster, Paul B. Preciado, Without Words, 35 Bienal of São PauloAbstract
In an attempt to map out a bit of the hegemonic ideological structure today, this article investigates some works, including the play Without Words, in order to understand the ways in which they are positioned in the same set of forces. The hypothesis is that a kind of re-branding of the (neo)colonial structure of the world arts market is underway, which tends to create new ways of framing the voices of those who are positioned on the peripheries of the system, who are generally in charge of, contrary to what Paul B. Preciado proposes, bringing news from the margins. Preciado proposes, to bring news from the margins - through a certain gesture of fulfillment, which we have identified as being attributed to such voices in more than one context.
Downloads
References
ABREU, M. Sem Palavras. São Paulo: Cobogó, 2023.
ARAÓZ, H. Mineração, Genealogia do Desastre. São Paulo: Ed. Elefante, 2020.
BATESON, G., Naven, São Paulo, EDUSP, 2018.
CARVALHO, B. Obras na Bienal que buscam reparação histórica recusam contradições. São Paulo. Folha de São Paulo, 06 out. 2023, disponível em: https://www1.folha.uol.com.br/colunas/bernardo-carvalho/2023/10/obras-da-bienal-que-buscam-reparacao-historica-recusam-contradicoes.shtml
CESARINO, L. O mundo do avesso. São Paulo: Ed. Ubu, 2022.
FOSTER, H. O que vem depois da farsa?. São Paulo: Ed. Ubu: Edição Kindle 2021.
FOSTER, H. O retorno do real. São Paulo: Ed. Ubu: Edição Kindle, 2017.
LACAN, J. (1955-1956). As psicoses. Rio de Janeiro: Jorge Zahar, 1992.
MBEMBE, A. Necropolítica. São Paulo: N-1 edições, 2018.
PRECIADO, P. B. Um apartamento em Urano. Rio de Janeiro: Zahar, 2020.
Published
How to Cite
Issue
Section
License
Copyright (c) 2024 Urdimento: Revista de Estudos em Artes Cênicas
This work is licensed under a Creative Commons Attribution 4.0 International License.
Copyright Statement
The articles published by the magazine are free to use. The copyright is all assigned to the magazine. The articles whose authors are identified represent the expression from the point of view of their authors and not the official position of the journal Urdimento. The author (s) undertakes whenever publishing material relating to the article published in Revista Urdimento mention the said publication as follows: This article was originally published by Urdimento magazine in its volume (put the volume), number (put the number) in the year of (put the year) and can be accessed at:
http://www.revistas.udesc.br/index.php/urdimento
This work is licensed under a Creative Commons Attribution 4.0 International License.
