The Never-Ending Museum of 1976 (Room 1: an erotica of criticism)

Authors

DOI:

https://doi.org/10.5965/1414573102512024e0601

Keywords:

theater criticism, narratives of the self, feminisms, artist's historiographies, lecture-performance

Abstract

The Never-Ending Museum of 1976 works like a guided tour of an imaginary museum. In this museum, there are works of art and critical reflection created by women in 1976, the year the artist was born. When talking about these works, sharing images and ideas, she reflects on the mentalities and affections that were on the agenda in the mid-1970s for women in different contexts. The artist's natal chart gives the cards for the curatorship of this museum, bringing astrology to the scene as a creative lens, which offers an unusual imagery and narrative repertoire for approaching the arts, history and self-narratives.

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Author Biography

Daniele Avila Small, Federal University of the State of Rio de Janeiro

Doutorado em Artes Cênicas pela Universidade Federal do Estado do Rio de Janeiro (UNIRIO). Mestrado em História Social da Cultura pela Pontifícia Universidade Católica do Rio de Janeiro (PUC-Rio). Graduação em Estética e Teoria do Teatro pela UNIRIO.

Published

2024-07-24

How to Cite

SMALL, Daniele Avila. The Never-Ending Museum of 1976 (Room 1: an erotica of criticism) . Urdimento: Revista de Estudos em Artes Cênicas, Florianópolis, v. 2, n. 51, p. 1–25, 2024. DOI: 10.5965/1414573102512024e0601. Disponível em: https://periodicos.udesc.br/index.php/urdimento/article/view/25521. Acesso em: 27 jul. 2024.