Dropping the masks: a conversation between friends/women-artists
DOI:
https://doi.org/10.5965/1414573102512024e0502Keywords:
masks, Lecoq, clown, SartoriAbstract
This article raises questions about masks, their use and construction, based on a conversation with two friend s who studied together in the 1990s and then took different paths, but remained united by a common affection: masks and their facets. To tell you a little about this journey, we've drawn up a dialogue that shows a little of Patricia dos Santos' history and the masks she came across along the way. Thus, through an interview, we unveil the possibilities of working with masks, of a sensitive look at the other and at oneself, revealing what is most human and poetic in everyday and theatrical masks.
Downloads
References
COPEAU, J. Apelos. Trad. J. R Falero. São Paulo: Perspectiva, 2013.
FO, D. Manual mínimo do ator. Franca Rame (ORG). 4a ed. São Paulo: Senac, 2011.
LECOQ, J. O corpo poético: uma pedagogia da criação teatral. São Paulo: Senac, 2011.
SACHS, C. M. A metodologia de Jacques Lecoq: estudo conceitual. Florianópolis: Udesc, 2004.
SARTORI, A.; SARTORI, D. A arte mágica. Museu Internacional da Máscara. Curadoria de Carmelo Alberti e Paol Piizzi. Abano Terme Italia. Trad. Maria de Lourdes Rabetti (Beti Rabetti), 2010.
WYLIE, L. Na Escola Lecoq descobri meu próprio clown. Psicologia, Paris, n. 43, p. 17-27, 1973. (Trad. José Ronaldo Faleiro).
Published
How to Cite
Issue
Section
License
Copyright (c) 2024 Urdimento: Revista de Estudos em Artes Cênicas
This work is licensed under a Creative Commons Attribution 4.0 International License.
Copyright Statement
The articles published by the magazine are free to use. The copyright is all assigned to the magazine. The articles whose authors are identified represent the expression from the point of view of their authors and not the official position of the journal Urdimento. The author (s) undertakes whenever publishing material relating to the article published in Revista Urdimento mention the said publication as follows: This article was originally published by Urdimento magazine in its volume (put the volume), number (put the number) in the year of (put the year) and can be accessed at:
http://www.revistas.udesc.br/index.php/urdimento
This work is licensed under a Creative Commons Attribution 4.0 International License.
