Fuck Catharsis and the perspective of confusion

Authors

DOI:

https://doi.org/10.5965/1414573101502024e0501

Keywords:

Carolina Bianchi, creative process, performance, sexual violence

Abstract

We interviewed the director, playwright and performer Carolina Bianchi. In this interview, we talked about her latest work, Cadela Força - Chapter I: A Noiva e o Boa Noite Cinderela, and we discussed aspects of the creative process that focus on the theme of sexual violence. Other aspects of this creation are also included in this discussion, such as the challenge of collective work at a distance and different forms of production in the Brazilian context and in the European context in which Bianchi currently finds herself.

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Author Biographies

Luísa Dalgalarrondo, Universidade Estadual do Paraná

Doutorado em Artes da Cena pela Universidade Estadual de Campinas (UNICAMP). Mestrado em Performance and Culture em Goldsmiths College, UK, Inglaterra. Graduação em Artes Cênicas pela UNICAMP.

Carolina Bianchi RIbeiro

Mestrado pela DAS Theatre (Holanda). Graduada pela Escola de Arte Dramática de São Paulo.

References

GREINER, Christine. O corpo: pistas para estudos indisciplinares. São Paulo: Annablume, 2005.

MOMBAÇA, Jota. Rastros de uma submetodologia indisciplinada. Revista Concinnitas, Rio de Janeiro, ano 17, v. 01, n. 28, set. 2016.

Published

2024-04-28

How to Cite

DALGALARRONDO, Luísa; BIANCHI RIBEIRO, Carolina. Fuck Catharsis and the perspective of confusion. Urdimento: Revista de Estudos em Artes Cênicas, Florianópolis, v. 1, n. 50, p. 1–19, 2024. DOI: 10.5965/1414573101502024e0501. Disponível em: https://periodicos.udesc.br/index.php/urdimento/article/view/25077. Acesso em: 31 oct. 2024.