Cosmodance
DOI:
https://doi.org/10.5965/1414573102412021e0209Keywords:
Selecionado:Cosmodance, Cyberdance, Cosmodansintersemiotization, Cosmodansintermediation, Alchemy in danceAbstract
This article/essay carries out a methodological path that evokes the figurative image of the gods Minemosine and Terpsicore her daughter, patron of the art of dance, for the metaphorical unfolding of the creative qualities of the perceived feminine and narrated as a cosmic experience in the sense of a philosophical thought of cosmodance. This path includes the current context of remote choreographic creation, with technological mediation, in which bodily efforts face connection challenges. In this process there is a distension of the understanding of the presentation of the danced gesture, inaugurating several possibilities of recording, editing, presentation and storage of the image. In this movement between the mythical dimension, the incarnated experience and the technological universe the text is being developed in the discussion of cosmodansintermediations and cosmodansintersemiotizations and their alchemy in the cosmopolitical multiverse of dance.Downloads
References
DA MATA, Antonio Candido Silva. A escrita conceitual e a revolução do corpo textual: em direção a um leitor ciborgue, Revista Rascunhos Culturais, Coxim (MS), v. 11, n. 21, p. 144 163, 2020.
DELEUZE, Gilles & GUATTARI, Félix. Mil Platôs: capitalismo e esquizofrenia. Rio de Janeiro: Editora 34. V. 3, 1996.
CARLOVICH, Carol. Phygital: Entenda o novo conceito que está tomando conta do mundo da moda. Glamour. São Paulo: 16 nov. 2020. Disponível em: https://revistaglamour.globo.com/Moda/Fashion-news/noticia/2020/11/phygital-entenda-o-novo-conceito-que-esta-tomando-conta-do-mundo-da-moda.html.
Acesso em: 30 nov. 2020.
COSTA, Adriano Belisário Feitosa da; Eliska. FERREIRA, Pedro P. Perspectivas tecnoxamânicas e tecnomágicas no ativismo digital brasileiro recente: uma trajetória possível. Contemporânea, São Carlos, v. 6, n. 2, p. 335-367, 2016.
LATOUR, Bruno. O sentimento de perder o mundo, agora, é coletivo. Entrevista concedida a Marc Bassets. El País, Madrid. 31 MAR 2019. Disponível em: https://brasil.elpais.com/brasil/2019/03/29/internacional/1553888812_652680.html?fbclid=IwAR0K6_5Sn54wlnGGgkY9KgjWAer2nDmx2fcV4uPk_aMsd0d6lYybcEz8qEw. Acesso em: 30 nov. 2020.
MELITOPOULOS, Angela, & LAZZARATO, Maurizio. O animismo maquínico. Cadernos de Subjetividade. São Paulo, n. 13, p. 7-28, 2011.
SILVA, Soraia Maria. O Expressionismo e a Dança. In: GUINSBURG, Jacó (org.) O Expressionismo. São Paulo: Perspectiva, p. 287-360, 2002.
SILVA, Soraia Maria. O Pós-Modernismo na Dança. In: GUINSBURG, Jacó & BARBOSA, Ana Mae (org.) O Pós-Modernismo. São Paulo: Perspectiva, p. 429-472, 2005.
SILVA, Soraia Maria. O Surrealismo e a Dança. In: GUINSBURG, Jacó & LEIRNER, Sheila (orgs.) O Surrealismo. São Paulo: Perspectiva, p. 405-462, 2008.
SILVA, Soraia Maria. O Naturalismo na Dança. In: GUINSBURG, Jacó & FARIA, João Roberto (org.) O Naturalismo. São Paulo: Perspectiva, p. 641-664, 2016.
STENGERS, Isabelle. A proposição cosmopolítica. Revista do Instituto de Estudos Brasileiros, São Paulo, n. 69, p. 442-464, 2018.
TRISMEGISTOS, Hermes. Corpus Hermeticum. São Paulo: Hemus Editora, S.D.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2021 Urdimento - Revista de Estudos em Artes Cênicas
This work is licensed under a Creative Commons Attribution 4.0 International License.
Copyright Statement
The articles published by the magazine are free to use. The copyright is all assigned to the magazine. The articles whose authors are identified represent the expression from the point of view of their authors and not the official position of the journal Urdimento. The author (s) undertakes whenever publishing material relating to the article published in Revista Urdimento mention the said publication as follows: This article was originally published by Urdimento magazine in its volume (put the volume), number (put the number) in the year of (put the year) and can be accessed at:
http://www.revistas.udesc.br/index.php/urdimento
This work is licensed under a Creative Commons Attribution 4.0 International License.