Thinking about black representativeness: reflections on the (non) black body in the performing arts
DOI:
https://doi.org/10.5965/14145731033920200204Keywords:
Representation, Representativeness, Black body, Black theaterAbstract
The author proposes a reflection on the social changes that led to the emergence of a movement that advocates for black representation in the performing arts field in recent years. Based on an analysis of some of the ways in which the black body is represented in the scene, especially in the play Entrevista com Stela do Patrocínio, this article also aims to reflect on the political and social implications caused by the presence and the absence of the black body in the contemporary theater scene.
Downloads
References
AZEVEDO, José Fernando Peixoto. Eu, um crioulo. São Paulo: N-1 Edições, 2018.
BELTING, Hans. Bild Anthropologie. Munich: Wilhelm Fink Verlag, 2001.
BORGES, Rosane. Das perspectivas que inauguram novas visadas. In: HOOKS, bell. Olhares negros: raça e representação. São Paulo: Elefante, 2019.
CORNAGO, Óscar. Ensayos de teoría escénica: sobre teatralidad, público y democracia. Madri: Abada Editores, 2015.
CRISTINE, Danielle. Entrevista II. [mai. 2019]. São Paulo, 2019. 1 arquivo .mp3 (31:09 min.).
DIÉGUEZ, Ileana. Cenários liminares. Teatralidades, performances e política. Uberlândia: EDUFU, 2016.
FADEL, Georgette. Entrevista I. [mar. 2019]. São Paulo, 2019. 1 arquivo .mp3 (39:15 min.).
FÉRAL, Josette. Além dos limites: teoria e prática do teatro. São Paulo: Perspectiva, 2015.
FERNANDES, Sílvia. “Experiências do Real no Teatro”. Sala Preta, v. 13, São Paulo, ECA-USP, 2013.
HOOKS, bell. Olhares negros: raça e representação. São Paulo: Elefante, 2019.
LIMA, Evani Tavares. “Teatro negro, existência por resistência: problemática de um teatro brasileiro”. Repertório, Salvador, n. 17, p. 82-88, 2012.
MBEMBE, Achille. Crítica da razão negra. São Paulo: N-1 Edições, 2018.
SÁNCHEZ, José A. Practising the real on the contemporary stage. Bristol: Intellect, 2014.
SCHUCMAN, Lia Vainer. Entre o encardido, o branco e o branquíssimo: branquitude, hierarquia e poder na cidade de São Paulo. São Paulo: Annablume, 2014.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2020 Urdimento - Revista de Estudos em Artes Cênicas
This work is licensed under a Creative Commons Attribution 4.0 International License.
Copyright Statement
The articles published by the magazine are free to use. The copyright is all assigned to the magazine. The articles whose authors are identified represent the expression from the point of view of their authors and not the official position of the journal Urdimento. The author (s) undertakes whenever publishing material relating to the article published in Revista Urdimento mention the said publication as follows: This article was originally published by Urdimento magazine in its volume (put the volume), number (put the number) in the year of (put the year) and can be accessed at:
http://www.revistas.udesc.br/index.php/urdimento
This work is licensed under a Creative Commons Attribution 4.0 International License.