An emergency space: Herdeiras de Antígona as social and political magnetization
DOI:
https://doi.org/10.5965/14145731023820200019Keywords:
Copan, Magnetized space, Urban Space, Creation’s Procedures, Antigona’s RereadingAbstract
This article is dedicated to thinking about the relations between the performing arts and the urban space from the intervention Herdeiras de Antígona (2019), carried out on the Copan building in São Paulo. The emergency exit of the building takes place on a visible staircase, and the performance presents this space as a metaphor for the urgency of the bodies and speeches of women in contemporary times. The osed reflection is developed through the description and analysis of this creation in the light of the concept of magnetized space found in the writings of visual artist Lygia Pape. When reflecting on the procedures adopted at work, it is evident how this intervention made the inhabitants of the place bring to light the social and political tensions that have marked Brazil since 2016 and, above all, echo feminism agendas as an emergency space.Downloads
References
DIAS, Karina. Entre visão e invisão: paisagem: por uma experiência da paisagem no cotidiano. Brasília: Programa de Pós-Graduação em Arte, Universidade de Brasília, 2010.
MENESES, Ulpiano Beserra de. “A cidade como bem cultural – áreas envoltórias e outros dilemas, equívocos e alcance da preservação do patrimônio ambiental urbano”. In: Mori, V.H [et. al.] Patrimônio: atualizando o debate. São Paulo: 9.SR/Iphan, 2006. p.35-76.
OLIVEIRA, L.S e WILKER, F. Carta Herdeiras de Antígona. Disponível em www.lalettre.art.br/herdeirasdeantigona. Acesso em: 20 ago. 2020.
CATÁLOGO DE EXPOSIÇÃO
PAPE, Lygia. Espaço Imantado. Textos de Paulo Herkenhoff; Manuel J. Borja-Villel. São Paulo: Pinacoteca do Estado de São Paulo, 2012.
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