A performance musical como perspectiva das propostas teórico-analíticas de Schenker e de teóricos neoschenkerianos
DOI:
https://doi.org/10.5965/2525530406032021199Palabras clave:
Análise e performance musical, Heinrich Schenker, Neoschenkerianismo, Gráfico em multiníveis, Parâmetros musicaisResumen
Tendo a experiência em performance como perspectiva do discurso, o artigo parte da contextualização das duas primeiras fases de Schenker com base nas publicações Die Kunst des Vortrags (“A arte da performance”), Der Tonwille (“Análise musical contextual”) e Das Meisterwerke in der Musik (“As obras-primas da Música”). Discute a sua influência teórico-analítica e a concepção de performance em estudos relacionados à subárea Análise e Performance Musical, identificando vinculações entre estrutura e expressividade em análises do próprio Schenker e de teóricos neoschenkerianos. Demonstra como a percepção da interlocução entre eventos métricos e de vozes condutoras serviu como embasamento a questões de modelagem em estudos de Charles Burkhart, Steve Larson, Carl Schachter e David Beach. Este estudo não se furta de considerar os aspectos fortemente prescritivos presentes nessas propostas, mas procura estudá-los sob perspectivas de pesquisa atuais.
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Derechos de autor 2021 Renata Coutinho de Barros Correia, Adriana Lopes da Cunha Moreira
Esta obra está bajo una licencia internacional Creative Commons Atribución 4.0.
