Perspectives of Chinese students on studying MA Music programmes in a UK University

Autores/as

DOI:

https://doi.org/10.5965/2525530404022019030

Palabras clave:

Internationalization, higher music education, Chinese students, pedagogy

Resumen

Continuing interest in higher Music education in the UK from the international market has led to increased recruitment of students from China and Hong Kong; however, academic scholarship focusing on this pedagogical context has not grown as swiftly as student numbers. This qualitative study contributes to literature investigating the complexities of higher Music education as perceived by students from China and Hong Kong undertaking one-year taught Music MA programmes at a UK university. Semi-structured interviews with nine international postgraduate students revealed information about their previous studies in China and Hong Kong, their choice of UK programme, family support, future plans and views on academic and performance study in the different countries. Students discussed the challenges of UK study relating to language skills, critical thinking and the peer group, but also identified expansion of repertoire, individuality in performance, access to a wide range of resources, facilities and opportunities, and the supervisor relationship as positive learning experiences. Findings relating to informed independent thinking, academic and performance teaching, authenticity and agency, and pedagogical potential are of relevance to educators.

Descargas

Los datos de descargas todavía no están disponibles.

Biografía del autor/a

Elizabeth Haddon, University of York, UK

Dr Elizabeth Haddon LRSM, SFHEA, is Senior Lecturer at the Music Department, University of York, where she devised and leads the MA Music Education: Instrumental and Vocal Teaching. Her publications include Making Music in Britain: Interviews with those behind the notes (Ashgate, 2006); two co-edited volumes with Dr Pamela Burnard on creativity: Activating Diverse Musical Creativities: Teaching and learning in Higher Music Education (Bloomsbury, 2015), and Creative teaching for creative learning in higher music education (Routledge, 2016) and numerous book chapters and journal articles, including work on instrumental pedagogy, empathy in piano duet playing, and early music performance.

Citas

BODYCOTT, P. Embedded culture and intercultural adaptation: Implications for managing the needs of Chinese students. Journal of Higher Education Policy and Management, v. 34, n. 4, p. 355-64, 2012.

BRAND, M. Collectivist versus individualistic cultures: A comparison of American, Australian and Chinese music education students’ self-esteem. Music Education Research, v. 6, n. 1, p. 57-66, 2007.

BRAUN, V.; CLARKE, V. Using thematic analysis in psychology. Qualitative Research in Psychology, v. 3, n. 2, p. 77-101, 2006.

CHOI, J. H. Attitudes of international music students from East Asia toward US higher education institutions. International Journal of Music Education, v. 31, n. 3, p. 346-58, 2012.

COLLEY, B. D.; EIDSAA, R. M.; KENNY, A.; LANG, B. W. Creativity in partnership practices. In: MCPHERSON, G. E.; WELCH, G. F. (Eds.). The Oxford handbook of music education, volume 2. Oxford: Oxford University Press, 2012, p. 409-425.

COMEAU, G.; HUTA, V.; LIU, Y. Work ethic, motivation, and parental influences in Chinese and North American children learning to play the piano. International Journal of Music Education, v. 33, n. 2, p. 181-94, 2015.

COVERDALE-JONES, T.; RASTALL, P. (Eds.). Internationalising the university: The Chinese context. Basingstoke: Palgrave Macmillan, 2009.

EDWARDS, V.; RAN, A. Building on experience: Meeting the needs of Chinese students in British higher education. In: COVERDALE-JONES, T.; RASTALL, P. (Eds.). Internationalising the university: The Chinese context. Basingstoke: Palgrave Macmillan, 2009, p.185-205.

ESSLIN-PEARD, M.; SHORROCKS, T. The role of reflective practice in learning a second instrument ab initio in adulthood: A pilot study with Chinese M Mus students in higher education. In Himonides, E.; King, A.; Cuadrad, F. (Eds). Proceedings of the Sempre MET2018, London: University of London, 35-37, 2018. Retrieved from: https://www.researchgate.net/publication/324065475_Proceedings_of_the_Sempre_MET2018_Researching_Music_Education_Technology

EVANS, C. C. A view from the dormitory: The Shanghai Conservatory of Music. Chime, v. 8, p. 104-112, 1995.

HEFCE (Higher Education Funding Council for England), (2014). Retrieved from: https://webarchive.nationalarchives.gov.uk/20180319132246/http://www.hefce.ac.uk/news/newsarchive/2014/Name,94021,en.html

HEFCE (Higher Education Funding Council for England), (2019). Retrieved from: www.hefce.ac.uk

HESA (Higher Education Statistics Agency), (2014). Retrieved from: www.hesa.ac.uk

HESA (Higher Education Statistics Agency), (2019). Retrieved from: https://www.hesa.ac.uk/news/17-01-2019/sb252-higher-education-student-statistics/location

HO, W. C. Educational development according to quality, commercialisation and internationalisation: A study of music faculties at Hong Kong universities. Music Education Research, v. 3, n. 2, p. 187-202, 2001.

HO, W. C. Music education curriculum and social change: A study of popular music in secondary schools in Beijing, China. Music Education Research, v. 16, n. 3, p. 267-89, 2014.

HO, W. C.; LAW, W.-W. Challenges to globalisation, localisation and Sinophilia in music education: A comparative study of Hong Kong, Shanghai and Taipei. British Journal of Music Education, v. 23, n. 2, p. 217-37, 2006.

HO, W. C.; LAW, W.-W. Sociopolitical culture and school music education in Hong Kong. British Journal of Music Education, v. 26, n. 1, p. 71-84, 2009.

HOLMES, P. Negotiating differences in learning and intercultural communication: Ethnic Chinese students in a New Zealand university. Business Communication Quarterly, v. 67, n. 3, p. 294-307, 2004.

HUANG, H. Why Chinese people play Western classical music: Transcultural roots of music philosophy. International Journal of Music Education, v. 30, n. 2, p. 161-76, 2011.

HUANG, L. Co-curricular activity-based intercultural competence development: Students’ outcome of internationalisation at universities. Innovations in Education and Teaching International, v. 54, n. 3, p. 184-193, 2016.

LAW, W.-W.; HO, W. C. Music education in China: In search of social harmony and Chinese nationalism. British Journal of Music Education, v. 28, n. 3, p. 371-88, 2011.

LEONG, S. Mentoring and research supervision in music education: Perspectives of Chinese postgraduate students. International Journal of Music Education, v. 28, n. 2, p. 145-58, 2010.

LEUNG, B. W.; MCPHERSON, G. E. Students’ motivation in studying music: The Hong Kong context. Research Studies in Music Education, v. 32, n. 2, p. 155-168, 2010.

LEUNG, B. W.; MCPHERSON, G. E. Case studies of factors affecting the motivation of musical high achievers to learn music in Hong Kong. Music Education Research, v. 13, n. 1, p. 69-91, 2011.

LI, L.; RIVERS, G. J. An inquiry into the delivering of a British curriculum in China. Teaching in Higher Education, v. 23, n. 7, p. 785-901, 2018.

LINDGREN, R.; MCDANIEL, R. Transforming online learning through narrative and student agency. Educational Technology & Society, v. 15, n. 4, p. 344-355, 2012.

MAZZAROL, T.: SOUTAR, G. Push-pull factors influencing international student destination choice. International Journal of Educational Management, v. 16, n. 2, p. 82-90.

MCMAHON, P. Chinese voices: Chinese learners and their experiences of living and studying in the United Kingdom. Journal of Higher Education Policy and Management, v. 33, n. 4, p. 401-414, 2011.

PETERSEN, S. Talent development in Chinese and Swiss music students. International Journal of Music Education, v. 36, n. 2, p. 230-243, 2018.

QUAN, R.; XINMING, H.; SLOAN, D. Examining Chinese postgraduate students’ academic adjustment in the UK higher education sector: A process-based stage model. Teaching in Higher Education, v. 21, n. 3, 326-343, 2016.

RASTALL, P. Cooperation with Chinese universities – issues and trends. In: COVERDALE-JONES, T.; RASTALL, P. (Eds.). Internationalising the university: The Chinese context. Basingstoke, UK: Palgrave Macmillan, 2009, p. 1-10.

SKYRME, G.; MCGEE, A. Pulled in many directions: Tensions and complexity for academic staff responding to international students. Teaching in Higher Education, v. 21, n. 7, p. 759-772, 2016.

UKCISA (UK Council for International Student Affairs) (2014). Retrieved from: http://www.ukcisa.org.uk/Info-for-universities-colleges--schools/Policy-research--statistics/Research--statistics/International-students-in-UK-HE/

WANG, L. Chinese students, learning cultures and overseas study. Basingstoke: Palgrave Macmillan, 2015.

WATERS, S. Sharing global musics: Preserving the past, preparing for the future – a look at music education in China. Music Educators Journal, v. 101, p. 25-27, 2014.

WATKINS, D. A.; BIGGS, J. B. The Chinese learner: Cultural, psychological and contextual influences. Hong Kong: Comparative Education Research Centre and the Australian Council for Educational Research Ltd., 1996.

WATKINS, D. A.; BIGGS, J. B. Teaching the Chinese learner: Psychological and pedagogical perspectives. Hong Kong: Comparative Education Research Centre and the Australian Council for Educational Research Ltd., 2001.

WHITBREAD, R. G.; LEUNG, S. Music education and the culture of assessment: A Hong Kong secondary school perspective. Asia-Pacific Journal for Arts Education, v. 9, n. 2, n.p, 2011. Retrieved from: http://www.ied.edu.hk/cca/apjae/Vol9_No2.pdf

WONG, M. W. Y. Music lessons in the elementary schools of Vancouver and Hong Kong. Asia-Pacific Journal for Arts Education, v. 1, n. 1, p. 27-41, 2002.

XIE, J.; LEUNG, B. W. Students’ motivation to study music: The mainland China context. Research Studies in Music Education, v. 33, n. 1, p. 59-72, 2011.

YAKABOSKI, T.; RIZZOLO, S; OUYANG, L. Understanding Chinese students’ college choice to increase Chinese student recruitment: A focus on music majors. TeacherScholar: The Journal of the State Comprehensive University, v. 8, Article 2. Retrieved from: http://scholars.fhsu.edu/ts/vol8/iss1/2

YANG, Y.; WELCH, G.; SUNDBERG, J.; HIMONIDES, E. The challenges inherent in promoting traditional folk song performance and pedagogy in Chinese higher education: A case study of Hua’er. Conference paper: 29th ISME World Conference, Beijing 1-6 August, 2010. Retrieved from: https://www.researchgate.net/publication/267270896_The_challenges_inherent_in_promoting_traditional_folk_song_performance_and_pedagogy_in_Chinese_higher_education_A_case_study_of_Hua'er

Descargas

Publicado

2019-12-20

Cómo citar

HADDON, Elizabeth. Perspectives of Chinese students on studying MA Music programmes in a UK University. Orfeu, Florianópolis, v. 4, n. 2, p. 30–58, 2019. DOI: 10.5965/2525530404022019030. Disponível em: https://periodicos.udesc.br/index.php/orfeu/article/view/1059652525530404022019030. Acesso em: 24 nov. 2024.