TIME,RHYTHMANDMUSICAL THOUGHT

Authors

  • Carole Gubernikoff Universidade Federal do Estado do Rio de Janeiro - UNIRIO
  • Maya Suemi Lemos Universidade Estadual do Rio de Janeiro - UERJ

DOI:

https://doi.org/10.5965/2525530405032020025

Keywords:

duration, meter, rhythm, musical time, Time

Abstract

Composers from the beginning of 20th Century found diverse ways to transcendmetrical rhythm. These approaches to the temporal dimensionofmusic would recall rhythmic practices from an era before the consolidation of musical meter and tonal harmony. As one goes throughout these moments of music history, different ways in which time and musical thought were intertwined reveal themselves. Musical excerpts from scores reveal different efforts in order to transcend rhythmic and metric phraseology.

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References

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Published

2020-12-16

How to Cite

GUBERNIKOFF, Carole; LEMOS, Maya Suemi. TIME,RHYTHMANDMUSICAL THOUGHT. Orfeu, Florianópolis, v. 5, n. 3, 2020. DOI: 10.5965/2525530405032020025. Disponível em: https://periodicos.udesc.br/index.php/orfeu/article/view/18269. Acesso em: 22 nov. 2024.

Issue

Vol. 5 No. 3 (2020): Special Issue on Theory and History

Section

Special Issue

License

Copyright (c) 2020 ORFEU

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