The Social Life of Musical Instruments by Eliot Bates
DOI:
https://doi.org/10.5965/2525530401022016096Keywords:
Organology, Musical instruments, Actor-Network Theory, Eliot BatesAbstract
This paper presents a review on the
article The Social Life of Musical Instruments by Eliot Bates (2012). Bates makes
a reflection about organology, criticizes
the old classificatory systems, comments
on important works about organology and
proposes a new paradigm based on the
Actor-Network Theory
Downloads
References
BATES, Eliot. The social life of musical instruments. Ethnomusicology, v. 56, p. 363-395, 2012.
KARTOMI, Margaret. On Concepts and Classifications of Musical Instruments. Chicago: University of Chicago Press, 1990.
MORAES, Márcia. A ciência como rede de atores: ressonâncias filosóficas. História, Ciências, Saúde – Manguinhos, vol. 11(2): 321-33, maio-ago. 2004.
NETTL, Bruno. The Study of Ethnomusicology: Thirty-one Issues and Concepts. Chicago: University of Illinois Press, 1983.
OLIVEIRA PINTO, Tiago de. Som e música. Questões de uma Antropologia Sonora. Revista Antropologia. São Paulo, USP, v.44, n.1, p. 221-286, 2001.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2017 ORFEU
This work is licensed under a Creative Commons Attribution 4.0 International License.
Authors who submit their manuscripts to be published in this journal agree to the following terms:
1. Authors retain the copyright and grant to the journal the right of first publication, whilst simultaneously permitting their work to be licensed under the Creative Commons License Attribution, which allows the sharing of work with recognition of the authorship and initial publication in this journal.
2. Contributions in this journal are open access; this means they are based in free use, and non-commercial applications.