Affective repurposing: A procedural conversation between texts, materials, and creations in the poetics of Image and place in the creative process of Peepshow Theater
DOI:
https://doi.org/10.5965/2595034702302024223Keywords:
animated theater, peepshow theater, creative process, affective repurposingAbstract
Abstract: This scribbled procedure is a documentary record of the time and academic place in the journey of a doll artist in the creation of his poetics. In the whirlwind in which this process was established, cutting, pasting, superimposing, copying, tearing, mixing and resorting to everything that your eyes observe, your touch identifies and your senses absorb, becomes a fundamental procedure in the search for the creation of a poetic based on affective reuse. Intertwining of contents with the intention of a practice, lived, experienced and elaborated simultaneously in the time and space of this academic process, based on the coexistence and approximations of the theoretical and practical framework of Animation Theater and the poetry of Manoel de Barros with poetic devices of the image, serving as inducers of an artistic practice with Teatro de Caixa (Lambe-lambe), giving indications on what we call material and immaterial affective reuse for the creation process.
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BARROS, Manoel de. Memórias inventadas: a segunda infância. São Paulo: editora Planeta do Brasil. 2006.
CORREIA, Anibal José Pacha. Pequenas histórias para pequenos grandes mundos de uma meninagem arteira – exercícios e experimentações para o teatro de animação. Curitiba: editora CRV, 2019.
COSTA, Felisberto Sabino da. A poética do ser e não ser procedimentos dramatúrgicos do teatro de animação. São Paulo: editora da Universidade de São Paulo, 2016.
FERNANDO, Edson. A caixa como objeto performático: intervenção poética proposta pelo Coletivo de Animadores de Caixa. Revista Anima: Festim, n. 7, 2018, p. 20-29. Disponível em: https://festim.art.br/. Acesso em 27 jun. 2024.
GORGATI, Roberto Gorgati. O Teatro Lambe-lambe e as narrativas da distância. Móin-Móin - Revista de Estudos sobre Teatro de Formas Animadas, Florianópolis, v. 1, n. 08, p. 208–221, 2018. DOI: 10.5965/2595034701082011208. Disponível em: https://www.revistas.udesc.br/index.php/moin/article/view/1059652595034701082011208. Acesso em: 27 jun. 2024.
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