Lambe-Lambe Theater: an immersion in the tiny world of the imagination
DOI:
https://doi.org/10.5965/2595034702302024051Keywords:
animated theater, theater of animated forms, Lambe-Lambe Theater, street theater, passerbyAbstract
This work addresses theater in animated forms, more specifically the Lambe-Lambe Theatre, delving into the world of this recent language of animation. The research provides a brief historical contextualization of the antecedents of animation and optical devices. It also addresses the emergence of street photographers, the origin of the Lambe-Lambe Theatre, its 30 years of existence and its relationship with the street.
Downloads
References
ARRUDA, Kátia. O menor espetáculo do mundo. In: BELTRAME, Valmor Nini (Org.). Teatro de Bonecos: distintos olhares sobre teoria e prática. Florianópolis: UDESC, 2008, p.131-142.
BACHELARD, Gaston. A Poética do Espaço. 2 ed. São Paulo: Martins Fontes, 2008.
COBRA SILVA, Pedro Luiz. O Teatro Lambe-Lambe: sua história e poesia do pequeno. F. 52. Dissertação (Master Artes – Teoria e práticas do teatro contemporâneo) – Université Charles de Gaulle – Lille 3, Lille, França, 2017.
GORGATI, Roberto. O Teatro Lambe-Lambe e as narrativas da distância. Móin- Móin - Revista de Estudos sobre Teatro de Formas Animadas. nº 08, Jaraguá do Sul, 2011.
LAZZARI, Fabiana de Oliveira. Da Prática Pedagógica à Atuação no Teatro de Sombras: um caminho na busca do corpo-sombra. Tese apresentada ao Programa de Pós Graduação em Teatro do Centro de Artes - CEART, da Universidade do Estado de Santa Catarina - UDESC, como requisito para obtenção do título de Doutora em Teatro. Florianópolis / SC,2018.
MANNONI, Laurent. A grande arte da luz e da sombra: arqueologia do cinema. São Paulo: Editora SENAC; São Paulo: UNESP, 2003.
SADOUL, Georges. História do cinema mundial: das origens a nossos dias. São Paulo, Vol. 1. Ed. Martins, Tradução de Roberta Baarni, 1963.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2024 Móin-Móin Magazine - Studies in the Art of Puppetry
This work is licensed under a Creative Commons Attribution 4.0 International License.
The readers are free to transfer, print and use the articles published in the Magazine, as long as there’s explicit mention to the author(s) and to Móin-Móin Magazine - Studies in Theater of Animated Forms and there are no changes on the original work. Any other use of the texts needs to be approved by the author(s) and the Magazine. In submitting an article to Móin-Móin Magazine - Studies in Theater of Animated Forms and have it approved, the author(s) agree to give away, without payments, the following rights to the Magazine: first publishing rights and the license for the Magazine to redistribute this article and its metadata to index and reference services that the editors consider appropriate.
The articles whose author(s) are identified represent the author’s point of view and not the official position of Móin-Móin Magazine. The author(s) commit to always mention the publication in the following way when publishing work in reference to the article published in Móin-Móin Magazine:
“This article was originally published by Móin-Móin Magazine volume (insert the volume), number (insert the number), in the year of (insert year) and can be accessed on: http://www.revistas.udesc.br/index.php/móin"
Plagiarism in any way constitutes an unethical publishing behavior and is unacceptable. Móin-Móin Magazine holds the right to use software or other plagiarism tracking methods to scan the submitted works.
This journal uses Creative Commons Attribution Licence– (CC BY 4.0).