Machinic Zone: material choreographable system
DOI:
https://doi.org/10.5965/25950347012920240264Keywords:
disanthropocentrism, system, composition, diversity, matterAbstract
This article presents a line of object poetics that articulates animation theater, dance and technologies. Some exposed aspects are simultaneously technical, aesthetic and political,
forming an impro-compositional zone understood as a horizontal material system in which the acting body is also understood as matter. This environment has been called the Machinic Zone and the sharing of some of its aspects aims to expand the possibility of collaborating with tools in the teaching and artistic field, strengthening the plurality of Animation Theater.
Downloads
References
BOGART, Anne; LANDAU, Tina. The Viewpoints book: a practical guide of Viewpoints and composition. New York: Theatre Comunications Group, 2005.
FERNANDES, Ciane. O corpo em movimento – O sistema Laban/Bartenieff na formação e pesquisa e artes cênicas. São Paulo: Annablume, 2002.
GODARD, Hubert. Gesto e percepção. In: PEREIR A, R.; SOTER, S. (Orgs.). Lições de dança. Rio de Janeiro: UniverCidade, v. 3, 1999
GODARD, Hubert. Buracos Negros: uma entrevista com Hubert Godard. O Percevejo Online, v. 2, n.2, 2010. Disponível em: http://www.seer.unirio.br/index.php/opercevejoonline/article/view/1447. Acesso em: 13 dez 2014.
GODARD, Hubert. Olhar cego. Entrevista com Hubert Godard, por Suely Rolnik. In: ROLNIK, Suely. (Org.). Lygia Clark, da obra ao acontecimento. Somos o molde. A você cabe o sopro. São Paulo: Pinacoteca do Estado, 2006b. p. 73-80.
HEGGEN, Claire. Sujeito-objeto: entrevista e negociações. Tradução: Margarida Baird e José Ronaldo Faleiro. Revista Móin-Móin, Revista de estudos sobre teatro de formas animadas, Jaraguá do Sul: SCAR/UDESC, n. 6. 2009.
INGOLD, Tim. Estar vivo: ensaios sobre movimento, conhecimento e descrição. São Paulo: Vozes, 2015.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2024 Móin-Móin Magazine - Studies in the Art of Puppetry
This work is licensed under a Creative Commons Attribution 4.0 International License.
The readers are free to transfer, print and use the articles published in the Magazine, as long as there’s explicit mention to the author(s) and to Móin-Móin Magazine - Studies in Theater of Animated Forms and there are no changes on the original work. Any other use of the texts needs to be approved by the author(s) and the Magazine. In submitting an article to Móin-Móin Magazine - Studies in Theater of Animated Forms and have it approved, the author(s) agree to give away, without payments, the following rights to the Magazine: first publishing rights and the license for the Magazine to redistribute this article and its metadata to index and reference services that the editors consider appropriate.
The articles whose author(s) are identified represent the author’s point of view and not the official position of Móin-Móin Magazine. The author(s) commit to always mention the publication in the following way when publishing work in reference to the article published in Móin-Móin Magazine:
“This article was originally published by Móin-Móin Magazine volume (insert the volume), number (insert the number), in the year of (insert year) and can be accessed on: http://www.revistas.udesc.br/index.php/móin"
Plagiarism in any way constitutes an unethical publishing behavior and is unacceptable. Móin-Móin Magazine holds the right to use software or other plagiarism tracking methods to scan the submitted works.
This journal uses Creative Commons Attribution Licence– (CC BY 4.0).
