Collection policy(s) in puppet theater in Portugal today

Authors

DOI:

https://doi.org/10.5965/2595034702272022120

Keywords:

collection, pupettry, memory, heritage, museum

Abstract

The article describes several modalities of conservation and preservation of the collection of puppet theater companies. From the description of case studies that belong to the theatrical repertoire active in Portugal today, we can identify common traits that aim to value both ancient and contemporary assets. The old or traditional puppet is treated as an object of identity memory, valued as a material and immaterial heritage, and is also safeguarded as a scenic and museological objects. Contemporary collections are marked by a new perception of the puppet as an aesthetic and artistic object, and are exhibited or reused in community outreach activities.

Downloads

Download data is not yet available.

Author Biography

Christine Zurbach, University of Évora

Christine Zurbach é. Professora Catedrática jubilada, foi docente do Departamento de Artes Cénicas da Escola de Artes da Universidade de Évora onde leccionou nas áreas de Dramaturgia, História do Teatro, Teatro de Marionetas e Tradução de Teatro. Doutorou-se na Universidade de Évora em 1997 com a tese Tradução e Prática do Teatro em Portugal de 1975 a 1988 (Colibri, 2002). Investiga nas áreas de Estudos Teatrais (Dramaturgia e Teatro de Marionetas) e de Estudos de Tradução. Tem publicações nacionais e internacionais em livros, capítulos de livros e artigos na área da dramaturgia, da tradução de teatro e do teatro de marionetas.

References

ABELHO, Azinhal. Teatro Popular português. Ao Sul do Tejo vol. VI. Braga: Editora Pax, 1973.

BANU, Georges. Un théâtre personnel en compagnie des marionnettes, Artpress 2, p. 44-48, out. 2015.

BARROS, Isabel (coord.). Marionetas do Porto – 30 anos. “As marionetas não morrem...”. Porto: Marionetas do Porto, 2018.

DUFRÊNE, Thierry et Joël HUTHWOHL (dir.). La marionnette: objet d’histoire, oeuvre d’art, objet de civilisation. Lavérune: Éditions L’Entretemps, 2014.

FERREIRA, J. A. O património sem mestre. Móin-Móin - Revista de Estudos sobre Teatro de Formas Animadas, Florianópolis, v. 2, n. 16, p. 158-173, 2018. Disponível em: https://revistas.udesc.br/index.php/moin/article/view/1059652595034702162016158. Acesso em: 6 mar. 2023.

FERREIRA, José Alberto. Da Vida das Marionetas. Laje dos Picos: Companhia das Ilhas, 2015.

GIACOMETTI, Michel; LOPES GRAÇA, Fernando. Bonecos de Santo Aleixo, v.1. [s. l.]: Strauss, 2000. 1 CD.

GIACOMETTI, Michel; LOPES GRAÇA, Fernando. Bonecos de Santo Aleixo, v. 2. [s. l.]: Strauss, 2000. 1 CD.

GIL, José. Teatro Dom Roberto. O teatro tradicional itinerante português de marionetas. O Saloio de Alcobaça e os novos Palheta. Lisboa: Museu da Marioneta/EGEAC, 2013.

LÕWENTHAL, David. The Past is a Foreign Country. Cambridge: Cambridge University Press, 2015.

MACHADO, Maria José. 10 anos. In: Museu da Marioneta. 10 anos. Lisboa: EGEAC/Museu da Marioneta, 2011.

RIBEIRO, Rute. Henrique Delgado. Contributos para a história da Marioneta em Portugal. Lisboa: Museu da Marioneta/EGAC, 2011.

SMITH, Laurajane and Natsuko AKAGAWA. Intangible Heritage. Routledge, 2009.

VAZ, Helena. Museu da Marioneta. Texto policopiado. s/d.

ZURBACH, Christine, FERREIRA, J. A.; SEIXAS, Paula (ed.). Autos, Passos e Bailinhos. Os textos dos Bonecos de Santo Aleixo. Évora: Casa do Sul, 2007.

ZURBACH, Christine. Le répertoire du théâtre de marionnettes au Portugal. Le cas des Bonecos de Santo Aleixo. In: CORNEJO, F. (ed.). La máquina real y el teatro de títeres de repertorio en Europa y América. 2017, p. 99-111. Disponível em: https://unima.es/wp-content/uploads/2018/01/Historias_de_maquinas_e_a_maquina_da_historia.pdf. Acesso em: 06 mar. 2023.

Downloads

Published

2023-03-03

How to Cite

ZURBACH, Christine. Collection policy(s) in puppet theater in Portugal today. Móin-Móin Magazine - Studies in the Art of Puppetry, Florianópolis, v. 2, n. 27, p. 120–135, 2023. DOI: 10.5965/2595034702272022120. Disponível em: https://periodicos.udesc.br/index.php/moin/article/view/22898. Acesso em: 22 dec. 2024.

Issue

Vol. 2 No. 27 (2022): Preservation and conservation of collections in the Puppetry

Section

Preservation and conservation of collections in the Animation Theater

License

Copyright (c) 2023 Móin-Móin Magazine - Studies in the Art of Puppetry

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

The readers are free to transfer, print and use the articles published in the Magazine, as long as there’s explicit mention to the author(s) and to Móin-Móin Magazine - Studies in Theater of Animated Forms and there are no changes on the original work. Any other use of the texts needs to be approved by the author(s) and the Magazine. In submitting an article to Móin-Móin Magazine - Studies in Theater of Animated Forms and have it approved, the author(s) agree to give away, without payments, the following rights to the Magazine: first publishing rights and the license for the Magazine to redistribute this article and its metadata to index and reference services that the editors consider appropriate.

The articles whose author(s) are identified represent the author’s point of view and not the official position of Móin-Móin Magazine. The author(s) commit to always mention the publication in the following way when publishing work in reference to the article published in Móin-Móin Magazine:

“This article was originally published by Móin-Móin Magazine volume (insert the volume), number (insert the number), in the year of (insert year) and can be accessed on: http://www.revistas.udesc.br/index.php/móin"

Plagiarism in any way constitutes an unethical publishing behavior and is unacceptable. Móin-Móin Magazine holds the right to use software or other plagiarism tracking methods to scan the submitted works.

This journal uses Creative Commons Attribution Licence– (CC BY 4.0).