The mask and masked characters in folguedos maranhenses
DOI:
https://doi.org/10.5965/2595034701262022119Keywords:
Maranhão, Mask, Folguedo, Popular CultureAbstract
This work discusses the use of the mask as an aesthetic, lewd object, sometimes poetic, sometimes contraventive, and about its use during periods of remarkable festivities in the popular culture of the State of Maranhão. It seeks to establish a brief investigation about the symbology of such objects in the aspects of laughter and the grotesque. It is also sought to establish a brief understanding of how and when this mask object and its use in folguedos may have been considered harmful or a victim of a retrograde political position. Overcoming possible divergences, it can be found largely as a member of typological compositions of characters, from the construction of varied formats and materials and also from the different ways of dressing it.
Downloads
References
BAKTHIN, Mikhail. A Cultura popular na Idade Média e Renascimento. São Paulo – Brasília: EDUNB / HUCITEC, 1999.
COSTA, Felisberto Sabino da. A poética do ser e não ser. Procedimentos dramatúrgicos de teatro de animação. São Paulo, Editora da Universidade de São Paulo, 2016.
LODY, Raul. O povo do santo. Rio de Janeiro: Editora PALLAS, 1995;
MAZZILLO, Maria; BITTER, Daniel e PACHECO, Gustavo. Careta de Cazumba. Rio de Janeiro: Associação Cultural Caburé, 2005.
SARTORI, Amleto e Donato. A arte mágica de Amleto e Donato Sartori. Museu Internacional da máscara. São Paulo: Editora Realizações, 2015.
SEBE, José Carlos. Carnaval, carnavais. São Paulo: Editora ÁTICA, 1986.
SILVA, Bruno Oliveira da. Máscaras: do ritual ao espetáculo teatral. Artigo, TCC / Licenciatura em Teatro / UFMA, 2021.
SOUSA, Sandra Maria Nascimento. Mulher e folia, a participação das mulheres nos bailes de máscaras do Carnaval em São Luís, nos anos 1950 a 1960. São Luís: Plano Editorial SECMA/Lithograf, 1998.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2022 Móin-Móin Magazine - Studies in the Art of Puppetry
This work is licensed under a Creative Commons Attribution 4.0 International License.
The readers are free to transfer, print and use the articles published in the Magazine, as long as there’s explicit mention to the author(s) and to Móin-Móin Magazine - Studies in Theater of Animated Forms and there are no changes on the original work. Any other use of the texts needs to be approved by the author(s) and the Magazine. In submitting an article to Móin-Móin Magazine - Studies in Theater of Animated Forms and have it approved, the author(s) agree to give away, without payments, the following rights to the Magazine: first publishing rights and the license for the Magazine to redistribute this article and its metadata to index and reference services that the editors consider appropriate.
The articles whose author(s) are identified represent the author’s point of view and not the official position of Móin-Móin Magazine. The author(s) commit to always mention the publication in the following way when publishing work in reference to the article published in Móin-Móin Magazine:
“This article was originally published by Móin-Móin Magazine volume (insert the volume), number (insert the number), in the year of (insert year) and can be accessed on: http://www.revistas.udesc.br/index.php/móin"
Plagiarism in any way constitutes an unethical publishing behavior and is unacceptable. Móin-Móin Magazine holds the right to use software or other plagiarism tracking methods to scan the submitted works.
This journal uses Creative Commons Attribution Licence– (CC BY 4.0).