Documentary Objects Theater and post catastrophe Objects: the dramaturgical creation of the film The Invisibles
DOI:
https://doi.org/10.5965/2595034702252021121Keywords:
Material culture, Object, memory, catastrophe, Documentary objects theaterAbstract
During the research on the documentary objects for the film The invisibles, held in March 2021, was raised a material overview of the reminiscences related to the climatic catastrophe that occurred in the Mountain region of Rio de Janeiro in 2011, that is the central theme of the film. The article brings reflections on the experiences lived in the creation process of the film's dramaturgy, which specifically encompass categories of objects that are related to the Mountain catastrophe. The article is divided into sections that reflect the relevance of the study groups carried out with residents of the Mountain region and the relationship of objects and their memories.
Downloads
References
BAUDRILLARD, Jean. O sistema dos Objetos. São Paulo: Siglo XXI, 2016.
BENJAMIN, Walter. Magia e técnica, arte e política: ensaios sobre literatura e história da cultura. Tradução de Sérgio Paulo Rouanet; prefácio Jeanne Marie Gagnebin - 8° Ed. revista - São Paulo: Brasiliense, 2012.
BERGSON, Henri. Matéria e memória. Ensaios sobre a relação do corpo com o espírito. São Paulo: Martins Fontes, 1990.
BUSCH, Amarílis e Sônia Amorim. A tragédia da região serrana do Rio de Janeiro em 2011: procurando respostas. Casoteca de Gestão pública. Brasília: Enap, 2011.
COUTO E SILVA, Golbery. Geopolítica do Brasil. Rio de Janeiro: José Olympio. 1967.
LARIOS, Shaday. Los objetos vivos. Escenarios de la materia indócil. México: Toma, Ediciones y Producciones Escénicas y Cinematográficas/Paso de Gato, 2018.
LARIOS, Shaday. Objetario Cuba S. A. Memoria Insular. Um Teatro de objetos documentales para la isla. Conjunto - Revista de Teatro Latinoamericano y caribeño, La Habana, v. 194-195, p. 38-45, 2020.
LARIOS, Shaday. Escenarios post-catástrofe: filosofía escénica del desastre. México: Paso De Gato, 2010.
LARIOS, Shaday. Teatro de objetos documentales Laboratorio de creación teórico-práctico (Circuito de la memoria Material). Universidad Nacional De Las Artes. Buenos Aires. Argentina. 2019.
SÁNCHEZ, José A. Artes de la escena y de la acción en España 1978-2002. Cuenca, UCLM, 2006.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2021 Móin-Móin Magazine - Studies in the Art of Puppetry
This work is licensed under a Creative Commons Attribution 4.0 International License.
The readers are free to transfer, print and use the articles published in the Magazine, as long as there’s explicit mention to the author(s) and to Móin-Móin Magazine - Studies in Theater of Animated Forms and there are no changes on the original work. Any other use of the texts needs to be approved by the author(s) and the Magazine. In submitting an article to Móin-Móin Magazine - Studies in Theater of Animated Forms and have it approved, the author(s) agree to give away, without payments, the following rights to the Magazine: first publishing rights and the license for the Magazine to redistribute this article and its metadata to index and reference services that the editors consider appropriate.
The articles whose author(s) are identified represent the author’s point of view and not the official position of Móin-Móin Magazine. The author(s) commit to always mention the publication in the following way when publishing work in reference to the article published in Móin-Móin Magazine:
“This article was originally published by Móin-Móin Magazine volume (insert the volume), number (insert the number), in the year of (insert year) and can be accessed on: http://www.revistas.udesc.br/index.php/móin"
Plagiarism in any way constitutes an unethical publishing behavior and is unacceptable. Móin-Móin Magazine holds the right to use software or other plagiarism tracking methods to scan the submitted works.
This journal uses Creative Commons Attribution Licence– (CC BY 4.0).