The theatrical mask and materiality of forms: a dream’s seed and the flower of our arts.
DOI:
https://doi.org/10.5965/2595034702232020199Keywords:
Máscaras teatrais, Corpo, Mulheres no Teatro de AnimaçãoAbstract
We, as women, are present in various spaces of knowledge production and it is no
different in Puppet Theater. Here, we bring a part of our journey inside the Puppet Theater,
focusing on the masks we experience, in order to touch curious hearts from the point of view of
two artists-women-researchers. Here we investigate the materialities of this scenic object and,
consequently, the impacts generated by them on stage. By researching the mask, its forms and
how it reflects on the visual production, we can accurately observe the flowering of a thought, a
dream, the imaginary.
Downloads
References
DOYON, Raphaëlle. Suzanne Bing, collaboratrice de Jacques Copeau: enquête sur la constitution d⠹un patrimoine théâtral. La Construction Des Patrimoines En Question(s), [s.l.], n. 1, p. 9-42, 2015. Éditions de la Sorbonne.
http://dx.doi.org/10.4000/books.psorbonne.7180. Disponível em: https://books.openedition.org/psorbonne/7180#illustrations. Acesso em: 24 jun. 2020.
ESPEJO, Ana Arcas. Génesis, temática y arquitectura teatral en el teatro Noh. n. 2, p 1-15, 2009. Revista independiente de Arte, Teoría de las Artes, Pedagogía y Nuevas Tecnologías. Disponível em: https://dialnet.unirioja.es/servlet/articulo?codigo=4046264. Acesso em 04 de jul. 2020.
LECOQ, Jacques. O Corpo Poético: Uma pedagogia da criação teatral. Editora Senac. Edição SESC SP. São Paulo: 2010.
MELLO, Anahi Guedes; FERNANDES, Felipe Bruno Martins. Guia de orientações básicas sobre Gênero, Deficiência e Acessibilidade. 2013, p. 22-23. Disponível em: https://generoeciencias.paginas.ufsc.br /files/2013/09/cartilha-on-line-final.pdf. Acesso em: 04 nov. 2020.
ROMANO, Lúcia. O Teatro do Corpo Manifesto: Teatro Físico. Editora Perspectiva: Fapesp. São Paulo/SP. 2005.
SACHS, C. M. A metodologia de Jacques Lecoq: estudo conceitual. Florianópolis: UDESC, 2004.
VIOLA, Daniele Rocha. A jornada de uma experiência: Da improvisação à máscara teatral. 2016. 50 f. TCC (Graduação) - Curso de Artes Cênicas, Departamento de Artes e Libras, Universidade Federal de Santa Catarina, Florianópolis, 2016.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2020 Móin-Móin - Revista de Estudos sobre Teatro de Formas Animadas
This work is licensed under a Creative Commons Attribution 4.0 International License.
The readers are free to transfer, print and use the articles published in the Magazine, as long as there’s explicit mention to the author(s) and to Móin-Móin Magazine - Studies in Theater of Animated Forms and there are no changes on the original work. Any other use of the texts needs to be approved by the author(s) and the Magazine. In submitting an article to Móin-Móin Magazine - Studies in Theater of Animated Forms and have it approved, the author(s) agree to give away, without payments, the following rights to the Magazine: first publishing rights and the license for the Magazine to redistribute this article and its metadata to index and reference services that the editors consider appropriate.
The articles whose author(s) are identified represent the author’s point of view and not the official position of Móin-Móin Magazine. The author(s) commit to always mention the publication in the following way when publishing work in reference to the article published in Móin-Móin Magazine:
“This article was originally published by Móin-Móin Magazine volume (insert the volume), number (insert the number), in the year of (insert year) and can be accessed on: http://www.revistas.udesc.br/index.php/móin"
Plagiarism in any way constitutes an unethical publishing behavior and is unacceptable. Móin-Móin Magazine holds the right to use software or other plagiarism tracking methods to scan the submitted works.
This journal uses Creative Commons Attribution Licence– (CC BY 4.0).