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DOI:
https://doi.org/10.5965/2595034702212019558Abstract
Este texto, que conclui o Colóquio UNIMA, traça o processo de trabalho comum, em particular o problema do estatuto das oficinas e dos happenings na elaboração de produções cênicas, da sua articulação artística com a obra teatral. Recorda as seis principais perguntas que se faziam: 1. o que fazer com a angústia; 2. a questão heurística, a pesquisa e a descoberta; 3. o significado do ato de ensinar; 4. a questão da direção horizontal ou vertical; 5. a ideia de responsabilidade; e 6. o estatuto do Teatro de Animação a partir da encenação.
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