Presencia y trayectoria de los títeres en Cuba

Authors

  • Freddy Artiles (Cuba)

DOI:

https://doi.org/10.5965/2595034702112013112

Abstract

Estudio sobre aspectos de la historia del teatro de títeres en Cuba destacando, inicialmente, acciones pioneras del Siglo XIX y sobretodo los significativos cambios ocurridos en el Siglo XX. Analiza el trabajo de grupos teatrales, el recorrido de personalidades artísticas, las iniciativas de instituciones, las contribuciones de estudiosos, críticos del teatro y el papel de los festivales de teatro en la difusión de esa arte en el acceso de la población a los bienes artísticos. Destaca el papel del teatro de títeres
en la educación de niños y jóvenes y la relevancia de esa arte en la cultura cubana.

Palavras-chave: Teatro cubano. Teatro de títeres. Historia del teatro.

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Author Biography

Freddy Artiles, (Cuba)

(1946 – 2009) – Doutor em Artes pela ISA –
Universidad de las Artes de Cuba. Dramaturgo, professor e
pesquisador, um dos mais importantes estudiosos sobre teatro de títeres e teatro para crianças e jovens em Cuba. Seus textos teatrais foram encenados em diversos países da Europa e das Américas e lhe renderam inúmeros prêmios. Dentre os seus estudos críticos e teóricos se destacam: La maravillosa historia del teatro universal (1989); Títeres: historia, teoría y tradición (1998); De Maccus a Pelusín. El títere popular (2002) y Nuevas aventuras de Pelusín del Monte (2003).

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Published

2018-03-27

How to Cite

ARTILES, Freddy. Presencia y trayectoria de los títeres en Cuba. Móin-Móin Magazine - Studies in the Art of Puppetry, Florianópolis, v. 2, n. 11, p. 112–135, 2018. DOI: 10.5965/2595034702112013112. Disponível em: https://periodicos.udesc.br/index.php/moin/article/view/1059652595034702112013112. Acesso em: 25 nov. 2024.

Issue

Vol. 2 No. 11 (2013): Teatro de Títeres na América Latina

Section

Artigos fora do Dossier Temático

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